There are several phases of being a photographer. The obvious ones are beginner, amateur, professional and, perhaps at a stretch, “master.” You may disagree with that progression and that’s fine. But I suspect you will agree with me when I say that at every level (yes, even if you self-proclaim yourself the Grand Poobah of photography), you are constantly learning.

Yes, that’s right. Educating yourself never ever stops. It’s what I find most exciting about photography. Every day, I am learning something new about the art and also ultimately about myself.

Several weeks back, I announced the 1st annual Tiffinbox Award winner. That photographer is David DuChemin, an author, blogger, teacher and foremost a visual explorer. I urge you to check out his blog and his books.

David is also the visionary behind Craft & Vision e-books for photographers of all stripes. Each of these books is $5. They are a fast read and are chalk-full of great tidbits of useful information that you don’t just save in your head but are forced to go out and try out for yourself. To say that I have fallen in love with these e-books would actually be a bit of an understatement. They are exquisitely designed and of course contain some of the best photography I have seen. I eagerly wait for each new e-book because they are so remarkable.

Today, Craft & Vision is doing something different. They are actually giving away their latest e-book, 11 Ways You Can Improve Your Photography.

So, why is this 69-page e-book free? What’s the catch, you wonder? There is none. Think of this book as a sampler. The authors of these chapters are representative of the breadth and depth of the topics you will find on the Craft & Vision website. The writing is lucid and engaging. The images are spectacular. If you are even remotely inclined to educate yourself or even elevate your photography, these e-books are a must. Being e-books, I carry them around on my iPad 2 and flip through them when I want a quick burst of inspiration.

I bet you are curious to know what those 11 ways are right? So here they are, in the order they appear in the free e-book (yeah, download it now):

1) Make Your Images More Dynamic by Piet Van Den Eynde
2) Tame Your Digital Exposures by David DuChemin
3) The Power Of The Print by Martin Bailey
4) Learn To Direct The Eye by Michael Frye
5) Understand The Stages by Alexandre Buisse
6) Create Projects And Collaborate by Andrew S. Gibson
7) Refine Your Composition by Nicole S. Young
8) The Power Of The Moment by Eli Reinholdtsen
9) Forget Lens Stereotypes by Piet Van Den Eynde
10) Slow Down And Learn To See by Stuart Sipahigil
11) Make Stronger Portraits by David DuChemin

Buy one or two, or better yet, buy them all (and save 20%). With the Christmas season around the corner, I don’t think there is a better set of gifts than these e-books for the budding or experienced photographer in your life. I know I would appreciate it, if I was presented this incredible opportunity to learn from the very best in the industry.

Disclosure Of Material Connection

After nearly a month-long hiatus, I am thrilled to publish Ken Jarecke’s guest blog post today. You may remember Ken’s very popular (it received 133 retweets) first guest post, “A Photographer’s Life Is a Juggling Act.” He is a world-renowned photojournalist and a founding member of Contact Press Images. Like before, I urge you read his blog, Mostly True.

As I search my memory, I find there was never a time when I was not a Cornhusker fan.

The awareness of the University of Nebraska’s football team precedes any understanding of the actual game of football itself. Around the age of five or six, when one starts to sort out how geography works. The idea that grandma lives in a different city, but the same state, or that although it looks similar when you cross over the Missouri River you’re really in Iowa, and that there’s a place called Oklahoma which is populated by people who are not to be trusted.

That’s how it happened, not that there was much of a choice. Back then, before the internet, or cable TV the only other team you’d hear about was whoever the Cornhuskers were playing that week.

Normally, there’d be two games broadcast during the regular season. One early in the year and the Oklahoma game on the day after Thanksgiving (to decide who won the Big 8 Conference and got to play in the Orange Bowl). When the game wasn’t on TV, you and everyone else in the state would listen to Lyell Bremser’s unique color commentary/play by play broadcast on KFAB. If you walked down the street, into a store, or worked in your yard, you’d hear the game whether you had a radio or not. When the game was on TV, you’d turn down the TV set and try to reconcile Lyell’s interpretation of the game with what your own eyes were telling you.

Often times Lyell’s version would win.

Sunday mornings, before church, before getting dressed, but at some point after Davey and Goliath, a mad dash, sans shoes or socks, would be made to retrieve the Omaha World-Herald from the mailbox. The sports section, its black & white images with player’s names (helpfully?) pasted right on the photos and the infernal white arrow chasing Johnny Rodgers down the field (maybe that’s why he was running so fast) would be studied. Special scrutiny would be reserved for the one or two plays, recorded with the high-capacity Nikon (loaded with fifty feet worth of Tri-X) from the top of the stadium, that would be sequenced across two pages in the middle of the sports section.

Heaven help that photographer if he missed a crucial fumble, or a long touchdown run. Perhaps that’s why the chief photographer would assign himself this duty?

Personal memories of experiences shared by generations of Nebraska fans. Sure, like I said, we didn’t really have a choice. There were no other programs, college or pro which could compete for our attention. Choice or not, a community was built. Someone coined the term “Husker Nation” which works well since we’ve now migrated across the country.

About a year ago, as the historic Big 12 conference was starting to break up (historic for no other reason than being born out of the Big 8), I decided to document the Husker’s final season before they moved on to the Big Ten conference.

The resulting 256 page, 12” x 9 1/2” coffee table book, Husker Game Day 2010 – Farewell Big 12 will be going to press in the second week of October. The book is designed and printed in Omaha. My publishing company, eyeQ Press will continue to take pre-orders until Oct. 11 at the discounted price of $49.95. We’re only printing enough copies to cover retail and direct orders and books will be shipped right after Thanksgiving.

You can see work by me from every Husker game this season at www.eyeQpress.com. There’s a link to the shopping cart on the lower, right-hand side of the page. Or you can just click here to go directly to the shopping cart.

The companion book, which I start shooting this weekend in Madison, Wisconsin will document the Husker’s first season in the Big Ten.

When I started this project, I didn’t think I’d be creating my own publishing company, getting a license with the CLC, or driving over 20,000 miles to the games. My goal was to create the perfect book for myself, or perhaps the fifteen year old me who loved photography and football, and it turned out exactly how I imagined.

I couldn’t have done this without the support of my family. Projects like this keep a person away from home for too long. My beautiful wife Souad keeps our family and home together. I’d be nowhere without her.

Webster Design and Barnhart Press of Omaha have also been very supportive. It’s amazing that one can still produce such a high quality book completely in Nebraska.

Canon Professional Services has been outstanding. If you’re not a member, I would encourage you to become one today.

Be sure to check out the video below where Ken Jarecke goes into even more detail about this incredible, self-assigned project.

Tell us about your Cornhusker Football moment. A play-by-play works or wax nostalgic about what it was like to go to a Nebraska game. Either way, when you comment below, you may win a copy of Ken Jarecke’s book, “Farewell Big 12″. Winner chosen on October 7. So, what are you waiting for?

Right around the holidays last year, just about everyone I know bought or received a camera. No, these weren’t the point & shoot variety (hey we have our iPhones for that right?). These were DSLR‘s or digital SLR’s. The excitement over opening the camera was palpable. I know because I received several emails soon after asking me … “So, I got a DSLR, but my images still suck. Why?”

My first response was always, “did you read the manual?” The silence at the other end was quite telling. Most of us, I know fail to read our manuals. When I bought my first Nikon DSLR, which I believe was the D70, I don’t remember diving into the manual either. On the one side, there is a new toy to play with and on the other, my ego was saying to me: “Yeah, I can figure this out. No problem.” That’s until I started seeing images I’d be ashamed to show my mom.

So, if the manual is way too daunting, or even boring, what do you do? Until today, you could have scoured the interwebs and patched together a bunch of the info that may have helped elevate your game. That too is time consuming and unless you are nuts about photography or pursuing as a professional, chances are slim you would be inclined to curate that information, digest it and then deploy it on your next go around with your DSLR.
Rob & Lauren Lim, the duo behind Photography Concentrate, have just published Extremely Essential Camera Skills. I was one of the few lucky ones to receive a review copy gratis. Having seen some of their earlier tutorials – Photo Editing Skills and Album Design Skills, I knew this one was going to be special.

Think of Extremely Essential Camera Skills as the foundational course you forgot to take when you started experimenting with your camera. It’s exquisitely designed – consistent with their other tutorials and extremely engaging website (which you must bookmark). When you open up the PDF, you are presented with a set of colorful tabs for the different chapters such as: The Camera, Focusing, Exposure, Lenses, Depth of Field and Camera Settings. I found the built-in navigation to be very helpful as it makes it easy to skip pages or navigate back to the ones you want to read again.

Unlike other tutorials that teach but fail to train, what I loved about Rob & Lauren’s latest offering is that they are serious about making sure you get the concepts they have just taught before moving on to the next chapter. They do this through tips, exercises, videos (more on this in a bit) and pop quizzes. Though it is incredibly thorough, Extremely Essential Camera Skills is not a read it and forget it kind of manual. The lessons you will learn, each one at your own pace, will stick with you for a lifetime. The definitions and demonstrations are easy to understand and absorb.

As a professional, most of the concepts were familiar to me. But that’s only because I use my camera every day, so it does become intuitive. Having a guide like Extremely Essential Camera Skills will help you get to that point where you too can easily make images you are proud to show your family and friends.

If there was one area where I could see the authors develop more content, it’s the section on using an alternative to that pesky flash that everyone insists on deploying. To their credit they do say this: “The built-in flash on cameras generally sucks.” So true. May we see a sequel to this guide that will dwell on off-camera flash? I hope so, but I do believe this guide will lay the foundation for better images using flash. So, I do urge you to get this one first.

The 7 videos by Lauren are fantastic. Her even, conversational tone and excellent examples helped me better understand the concept behind exposure compensation. So, the take aways are many. With Rob & Lauren’s permission, I am considering using this guide book for photographers (I really don’t want to call it a manual) in the beginning photography class I teach high schoolers. Yes, it’s that good and it is perfectly fitted to meet the demands of amateurs and semi-professionals too.

As I have already stated, I received a review copy Extremely Essential Camera Skills and loved it. If you are struggling to use your DSLR, this guide book will help you get comfortable. For the next two weeks starting today, Rob & Lauren are offering a launch sale. You can get Extremely Essential Camera Skills for $29.97, that’s 40% off the regular price of $49.99. In addition to the 89-page PDF and videos which you can view on your computer or your iPad, you will receive the Extremely Essential Camera Skills Field Guide, which you can print and tote around while you are photographing.

Full disclosure: As an affiliate, I receive a commission on the sale of this PDF to support Tiffinbox. If you enjoy the content on this site, I ask that you use the links in this post to buy Extremely Essential Camera Skills. Thank you!

I’ve loved Utah-based Jonathan Canlas‘ wedding photography for quite some time. I must have come across his website quite randomly about four or five years ago. His images continue to inspire me. The moments are real and the processing is just right.

Little did I know back then that he was a wholly film-based photographer. Yes, film. Some of us may remember that medium. With digital being all the rage – I mean who isn’t addicted to chimping, right? – why would a photographer eschew Photoshop actions (that can make your digital images look like they were shot on film) and other “bells and whistles.” The answer is simple. Because he can, he wants to be different and his clients love him for it.

So, take a moment to look at his work again.

Now that you are back, do you see anything different? Do the images just appear more tactile, or have more depth to them? Or, is it my imagination? I believe it is the former.

Whichever way your answer sways, if you are curious about how Jonathan Canlas photographs weddings or portrait sessions using film, you have three options to learn from him.

You see, in addition to being a successful photographer, Canlas is a wonderful teacher. For several years, Canlas has offered the Film Is Not Dead workshops for those photographers looking for a solid foundation in film photography.

Canlas has also very patiently answered questions via Formspring. You should follow him on Twitter where most of these responses show up.

The last option, is a resourceful guidebook called FIND (Film Is Not Dead). There is a dedicated website where you can order this truly comprehensive offering. Jonathan generously offered me a review copy and I just got done reading it. As a photographer who cut his teeth on Tri-X and TMAX 3200, a lot of what he had to say in the book was not new to me. As a mostly 35-mm film photographer, though, I learned a great deal about medium-format cameras. So much so that I am now actively looking for a used Yashica-Mat 124-G.

Here is a breakdown of the table of contents:

This is a 95-page e-book that is sprinkled with great wisdom and some jaw-dropping images. If you are clueless about working with film, because you simply never had the opportunity or were too intimidated, then you need to run out and get this hefty PDF. Unlike other PDFs that may discuss a particular type of digital technology that is sure to change over time, I feel what Jonathan Canlas has produced for us will be as timeless as his own work. Indeed, its his generous spirit that allows us to share his vast knowledge about a medium long thought of as “old,” or worse, “dead.”

Thanks to companies like Kodak and Ilford, who continue manufacturing film, Canlas feels strongly that he will be working in that medium for a very long time and now so can you.

Buy the Film Is Not Dead guidebook by using the code “SESHU” and receive $45 off the final price. All I ask in return is that you subscribe to the Tiffinbox newsletter. Goodies like this will only be available in the future for my newsletter subscribers so you may want to get a headstart.

Full disclosure – I received a review copy of this PDF, but I don’t make a dime for mentioning it here on Tiffinbox. If you liked this review and bought the PDF, please come back here and post your comments. I’ll try and have Jonathan swing by and answer any questions you may have.

When my friends Rebecca Mead and Kathy Hokunson mentioned Gary Vaynerchuk‘s stop at R.J. Julia’s Bookstore in Madison, CT, I jumped at the chance to go see and hear him yesterday evening.

First impression – this dude is the real deal. Down to earth, even if he has made millions of dollars selling wine in his family business or starting Vayner Media, a marketing consulting company. Just check out the way he presents wine on his extremely popular Wine Library TV. When we met he was approachable and extremely generous with his time.

He was obviously at the bookstore to chat about his second book, The Thank You Economy. I had just received it through Amazon yesterday and had not had a chance to read it yet. His first book, Crush It!: Why NOW Is the Time to Cash In on Your Passion, made a phenomenal impact on me. I recommend you get that book as well if you are just starting to explore social media.

The synopsis of his new book is this – our economy is changing to a point where we better become a whole lot more customer-centric, if we want to survive in the business we are in. Once I have read the book, I promise to post an online review. If you want to know more about it, check out The Thank You Economy.

As I said, Gary was extremely gracious when I asked him if he would spare two minutes to speak to you, my fellow photographers, about how the message in his book pertains to what you are now doing in your business. His is a terrific message and I welcome you to watch the video below. Then post your thoughts about what he said. Are you going to be making changes to the way you run your photography business? Share your thoughts with other photographers here.

Thank you, Gary, for your time and for launching this new feature on Tiffinbox called 2 Minutes WIth Tiffinbox. I welcome other authors, artists, photographers to contact me about being featured here as well.

UPDATE: For a quick review read my friend Scott Wyden’s review of The Thank You Economy.

This is Ingrid Spangler’s second guest blog post for Tiffinbox. She is responsible for all the social media, as well as copywriting, promotions and marketing for AdoramaPix. She has been an avid photographer from the time she was a child, and studied film at Temple University in Philadelphia, where she learned about film theory and visual aesthetics. Her first post was about finding the perfect photography printing lab.

Hardcover photo books are fast becoming the best choice to present and distribute your portfolio. It’s a more permanent way to display your images, and while that is a definite plus, it also requires much more care when organizing and designing than just slipping your prints into the plastic sleeves. There’s also something about having your images in a book that leads the viewer to believe that the images should hold together and tell a story more than a traditional portfolio.

Here’s a general portfolio tip from my buddy Joe Holmes of joe’s nyc focus on one style or genre of photography that you do best, such as landscapes or street photography or portraits. You can always do separate portfolios/books for each genre.

Another tip: Don’t let the design of your book overwhelm your images. Keep it simple. This rule goes for any photo book you make, but is especially true for portfolios.

From speaking to photographers and photo editors, it seems that the general rule when organizing your images into your portfolio is “put your best images in the front and the back; make a strong first impression, then give them something to remember you by.” While you can still use this tenet to start to set up your book, what do you do with all the prints in the middle?

Here are some suggestions for how you can sequence the images to have them hold together as something cohesive.

Organize Your Images By Color

Allow the dominant color in one image to dictate what the next image will be. This is very subtle and works very well for images that are largely disparate. Take for instance these images with lots of red tones, the next images could be something with orange or deeper red as the dominant color and so on.

Keep moving through the color spectrum until you are close to the end of the book, where you’ll place your second set of strong images to leave a lasting impression on the viewer.

Organize Your Images Graphically

Look for the strong, dominant lines in your images and pair them accordingly. This image with strong diagonal and horizontal lines is matched by an image with similar lines. For diagonal lines that go off the page, try as much as possible to have them point to the center of the book. This pairing also works because of the similar colors.

Or these circular shapes:

*Images courtesy of Brandon Remler: Fall Trees, Boys on Beach, Bridge, Guggenheim and Tunnel. Red Table courtesy of Ingrid Spangler.

Group like with like: black and whites together, images that depict the same subject, etc.

Above all, choose a high quality lab to make your photo book portfolio! AdoramaPix photo books are printed on real photo paper, so they are the closest thing to a traditional portfolio. Unique lay-flat bindings ensure that none of your images are lost to a gutter in the center, plus you don’t have to worry about matching up halves of an image that you want to span both pages. PixPublisher, the online book creation and editing program, is easy to use and powerful, you can design your portfolio exactly the way you want, sizing and positioning your images precisely on the pages, down to the pixel!

Remember, it’s your work, don’t gamble with the presentation. You may only get one chance to impress someone, make it count!

If you are anything like me, it’s been ages since you read a real page turner. Busy photographers we all are but that doesn’t mean we get to stop learning and perfecting our craft.

Photographer and author Ed Verosky is running a special Halloween SALE on all of his books.

If you have been on the fence about getting his books (see the big fat images below as well as in the sidebar of this blog), this is your chance to save 25%. But the sale ends October 31. So hurry!

If you have enjoyed the posts here on Tiffinbox and want to find a way to say thank you, simply click the images below to order your e-books. Yes, those are affiliate links. But they are of e-books I have read and found very valuable.

THE DISCOUNT CODE IS: “PHOTOBOOKS”

Buy 100% Reliable Flash Photography:

Buy 25 Amazing Boudoir Photography Techniques:

If you do buy one or both of the e-books, do chime in below with your comments about them. I do want to hear your feedback. Did you learn anything from them? Were they priced just right for you? Would you feel good about letting your friends know about the e-books being available here? Your comments are valuable. You have a voice.

Thank you again for your support!
Seshu

Selina Maitreya is a a photo consultant. She has been one for the last 30 years. Want to know how to approach your business? She’s got answers. Ever had trouble editing your images down and showing your clients the very best? Yes, she can help. Are you looking for a mentor who can guide you through some murky business waters? She’s the one.

Selina has authored two very popular books: Portfolios That Sell: Professional Techniques for Presenting and Marketing Your Photographs and How to Succeed in Commercial Photography: Insights from a Leading Consultant

She charges $300 an hour and for good reason, too. She is good. No, very good at what she does. But for a photographer who is just starting to set up her or his business, her consulting fees can add up fast. So, Selina brainstormed and came up with The View From Here, a nine-hour, 12-chapter series of MP3 recordings that covers all that you may be looking for and more.

As I listened to her, I found myself furiously taking notes as she gently outlined for me (and yes, it does sound like she is speaking with and not to me) the steps any photographer must take to be successful in this industry. Let me correct that … steps any photographer must take to THRIVE in this industry. Now, as a documentary wedding photographer, I have certain take-aways that may differ from someone who is a photojournalist or a commercial photographer. I say, make it your own. However, the business foundation for all genres of photography is nearly identical. Start by setting specific goals, have an incredible product to offer and create honest and meaningful relationships with your clients.

“The View From Here – it’s priceless! I am getting the real time coaching from Selina in whatever topic I select to consult or learn how to continue growing my photography business.” Raymundo, Ohio

In full disclosure, Selina generously gifted the entire set of MP3 audio files for me to check out and review here on Tiffinbox. But as I have said before, if a product I am writing about doesn’t meet my high standards for quality or it will not elevate my business (and subsequently yours), I won’t review or even mention it.

Selina has clearly put her heart and soul into this project and I know you will get tremendous value out of it. I know it is the beginning of a new year. Do yourself and your business a favor and consider buying The View From Here today! Use the code: FOSSES to get it for only $99 (original price is $199). See, I am also committed to finding you the very best offers out there that will help your bottom line!

Still not sure? Then download this free chapter from The View From Here

If you have any questions or comments, please feel free to post them below. I would love to hear from other photographers who have bought the program from Selina, listened to it and can share what they have learned from her.

Get 25% off before midnight on 12/31 when you order all 5 of e-books. Use code: seshu25

I have been following David duChemin’s blog, PixelatedImage for quite some time. In my mind, it’s a “must-read” blog for photographers. Period.

David has recently been on a writing binge outside of his blog – conceptualizing and expressing himself about the art and approach to photography through e-books.

These are no doubt beautifully illustrated and designed. Yet, it’s the thoughtfully conceived notes, each a page or so long, that make these so easy to read and absorb. Reading them feels like a friend saying it like it is. The first two have creative exercises that urge you to try out what David has just taught you.

Here’s the thing – you could sit in a stuffy room and get lectured at or you can choose to be gently led into the art and science of photography. Which would you go for? No brainer!

Now, in full disclosure, other than the first e-book, David made sure I received the others for review here. I can’t thank him enough for his gifts, but the high-praise I reserve for him or his e-books are in no way connected to his generosity. The e-books are simply a terrific investment at $5 each. If you are serious about your photography and want a little guidance, these are your tickets to get on the journey. I have learned a great deal from them and I know that when I am out photographing a wedding, I’ll have these valuable lessons by my side.

And today, yes, December 24, happens to be David’s birthday … so show him some love and buy all five of his e-books (more coming, says he) today! It would make for one heckuva Christmas gift to your favorite photographer, too!

I have three book reviews to complete and I hope to have them done by the end of the year. The books are: Betsy Karel’s Bombay Jadoo, Mahesh Bhat’s Unsung and Steve Raymer’s Images of a Journey: India in Diaspora.

Please click the links to find out more and to buy the books.