Photographers Archives - Page 3 of 26

To Find Commercial Clients, First Pursue Personal Work

July 3, 2017 by Doug Levy Leave a Comment

“I'm the king of U-turns,” photographer Andy Anderson told our class at the 2014 Texas Photo Roundup. Over the course of the next few days, we'd come to learn that he meant that quite literally: Andy was in constant pursuit of his next personal project. For him that could have meant a dune buggy in a desert, or oilmen at work.

The bigger picture though, to me at least, wasn't about the art of it. Yes Andy spoke at length about how it was important to craft your own vision and continually be honing a unique point of view, and both of those things are incredibly important, that wasn't the golden nugget. The most valuable take-away from the workshop, and from my experiences since then was that photographers who shoot the most personal work get the most commissioned work of the type they want to do.

Other Tiffinbox blog posts that address the idea of personal work are here and here.

This concept has been reinforced by Andy's rep, Heather Elder, who writes the incredibly insightful, Notes from a Rep's Journal blog. Heather has often written that among the photographers she represents, it's always those who shoot the most personal work who find themselves the busiest commercially.

Years ago – I think it was from Nick Onken's blog, but am not 100% sure – I read the best advice regarding the photography business I've ever heard.

“Everything you do needs to be in service of two ideas – take better photos, and show them to more people.”

As I've built my business, that idea has been at the center of everything I do, and if a particular task isn't in service of one of those ideas, maybe that's something I should consider outsourcing (like bookkeeping).

The most valuable take-away from the workshop, and from my experiences since then was that photographers who shoot the most personal work get the most commissioned work of the type they want to do.

It all ties together though. In 2015 I committed to sending monthly e-mails to 2,000+ creatives and current clients via Yodelist as part of my overall broader marketing plan. Yodelist, while far less expensive then their chief competitor Agency Access, isn't a small financial commitment. To see a return on that investment, I realized quickly I couldn't send e-mails saying, “Hey! Come look at the same work I showed you last month!”

The catch-22 though is that much of the work I shoot in a given month won't be available to be shown publicly for a few months following, because it's either part of a broader yet-unfinished campaign, or because a magazine hasn't yet been published. As a result, having new personal work, like my recent “Fuego Faces” series is a key component to my marketing plan as I can shoot something today and have it live on my blog or website tomorrow.

While the “Fuego Faces” project was all shot in a day, my series of photos of New England Craftsmen has been ongoing for 3+ years with no end in sight. I don't exaggerate to say that literally every new client I've worked with during the past few years has referenced the craftsmen series – it's led to thousands (tens of perhaps?) of dollars of new work. I've received creative briefs with individual images pulled from the craftsmen gallery, and lost track of the number of times clients have said, “Just shoot it like your craftsmen series.”

Personal Work by Doug Levy

Cape Cod Custom knife maker Sam Densmore

Custom string instrument restorer and creator Erik Grausam

Flintlock Design Company's Joe Reynolds

Lowell Massachusetts Brewers Mike and PJ at their Navigation Brewing Company

Ray Grenier

HyperFocal: 0 Trumpet and Trombone manufacturer S.E. Shires

HyperFocal: 0 Flute maker Wm.S.Haynes Co.

Willis Wood, Woods Cider Mill, Weathersfield, Vermont

Marina Garland, Woods Cider Mill, Weathersfield, Vermont

I try to treat personal work no different than commissioned work, and often that means paying an assistant to come to personal work shoots. It totally depends how you work though. For me, paying to have an assistant is just part of my overall marketing budget. I wouldn't do a client job without a second set of hands, so why would I shoot personal work any differently? To me, spending a few hundred dollars on an assistant = better photos = more paying client work. Personal work is also an opportunity to try new techniques and work in new assistants (or stylists, or digital techs) on jobs that inherently have a lower stress point than those involving large client expenditures.

I frequently get asked by local photographers, “How do I get more commercial clients?” At its root, the first step could almost always be, “Shoot some killer personal work and show it to as many people as possible.”

11 Reception Tips To Help Your Wedding Photography

January 30, 2017 by ShooDotEdit 3 Comments

The wedding day shoot is full of crucial moments for you to capture. But, with unforeseen challenges with the timeline, lighting conditions, and other unknown elements, it can often be challenging to know exactly which images you need to document. The wedding reception is the perfect opportunity for you to capture candid moments and memorable images of your couple with their guests. To help you focus on the necessary images your couples will love, ShootDotEdit is sharing 11 reception tips to help your wedding photography.

1. Grand Entrance

During the cocktail hour, the guests anticipate the arrival of the newlyweds to the reception. This moment is the first time they will be introduced to their friends and family as husband and wife, which will result in some memorable images for the couple. Make sure you snap a ton of pictures of the excitement on the bride and groom’s faces, and if you have a second shooter, have them take photos of the guests’ faces as well.

2. First Dance

After they are introduced, the newlyweds will move into the first dance. The first dance is a special moment for the couple and represents the journey they took to get to this important day. While they dance, switch up the angles you shoot at to capture a variety of images. You can shoot through the perspective of the guests, get close-up document their expressions, and shoot from higher and lower angles to mix up the photos you share with the couple.

3. Reception Uplighting

During the reception, there may be additional options for lighting to help you create stunning images for your couple. Uplighting is commonly brought by the DJ or band to assist in creating a unique color, dimension, and texture for the walls at the reception. When shooting with reception uplighting, look for a smooth and light-colored wall to enhance the photos. This helps you highlight the uplighting your couple chose, and create images they will love.

4. Toasts

Although they may not be the most exciting images to capture, the wedding toasts are anticipated by your couple and those closest to them. Often times, challenges arise when shooting these images because of guests and their cell phones, or speakers who stand in front of the couple as they talk. Use this moment to showcase candid moments with the couple, as well as to highlight the speakers, and capture the celebratory moments with the couple and their guests.

5. Traditional Dances

From the father/daughter dance to the mother/son dance, to the money dance, there are several traditional dances your couple may choose to include during their reception. One of the easiest ways to capture the dances and expressions is to move along with them as they dance. Remember not to stand too close to them so they can be themselves and give you expressions that will make their images dynamic.

6. Cake Cutting

As the reception moves along, most couples take advantage of cutting the cake together. Before the couple cuts the cake, take a solo shot of it to highlight it and its unique details. Take another photo of your couple next to the cake to add variety. Shoot them as they grab the knife to slice the first piece of cake, and when they feed a piece to one another. These are all images your couple will love and will keep the memories with them for years to come.

7. Bouquet Toss

Once the traditional dances and cake cutting are over, there are still a few exciting traditions left to document. Discuss the shot beforehand with the bride, and ask her to slowly throw the bouquet so you can shoot her in action. If you have a second shooter, have them focus on the ladies while you work with the bride. This way, you both capture the anticipation and excitement on their faces during the bouquet toss.

8. Garter Toss

After the bouquet toss, it’s time for the groom to toss the garter to the single men. If time permits, ask the groom if you can take a posed shot of him before he actually throws the garter. Similar to the bride and the single ladies, document the excitement on the groom and guys’ faces (and don’t forget to get a few photos of the fight for the garter). These are moments your couple will want to remember, which is why it’s so important to include these photos from the reception.

9. Dancing

When the traditional reception activities are over, your couple and their guests are ready to celebrate. From the Cupid Shuffle to the YMCA, there are plenty of moments for you to capture. To capture the shots that matter, without getting in the way of the crowd and their dancing, use a longer lens. The longer lens makes it seem as if you are closer to your subjects and the background, which means your photos look like you are right in the center of the action.

Table Shots at Wedding Reception © Vanessa Joy

10. Table Shots

Yes, it is very boring. But, table shots aren’t for you. They are often very meaningful to the couple. Table shots showcase the details the couple chose, and help share more about their style. Once guests are seated at the table, you can also take a few images of them as they socialize with one another. This is a great memory for your clients as they view their images. Plus, research has shown that table shots with guests are some of the most purchased prints in your online gallery.

11. Details

Before the wedding day, the bride and groom spent months on the specific details of the day. There are so many details that go into the wedding day, and this includes the details of the reception. Arrive early to the location to take an overall shot of the reception, and then capture the details up-close. Ensure you document the table tops, floral décor, the stage where the DJ or band will be, and any gift bags for the wedding guests.

The wedding reception is filled with memorable moments for you to document for the bride and groom. Do you know which images to capture throughout the wedding day? Our Guide, 127 Essential Wedding Images You Must Capture, provides you with a photography playbook to grab every important image. Grab your copy today!

If These 6 Speakers Can Get To Inspire Photo Retreats This Year, You Have No Excuse

January 10, 2017 by Seshu | Editor & Publisher Leave a Comment

Conference Season Is Upon Us

It's photography conference season, if you haven't noticed. Imaging USA, produced by PPA is on right now. WPPI‘s annual meeting and expo has apparently moved to a new space and will run in early February.

As I have said before, those are conferences that you should go to … at least once.

But if you prefer something more intimate and intellectually stimulating, check out Inspire Photo Retreats. It is coming up quickly. This year, like last year, it will be held in Newport, Rhode Island, from February 27 through March 1. Please visit and register for it here.

Four things dictate a photography conference's level of success:

1) Personal experience

Does your personal experience motivate you to keep coming back?

I can't recall attending any other annual photography get together more times than Inspire Photo Retreats. There is a vibe that is both positive and uplifting to me. This conference couldn't come at a better time in the year when I am starting to plan out the year and consider how my business will be shaped. When I attend, I can be sure of meeting amazing people and having a memorable experience. The conference is topped off at 250 participants and continues to foster a sense of community and fellowship that the larger conferences simply cannot provide. If this is what you are looking for, you are in the right place.

So the answer is, yes, I would love to go back to Inspire again and again.

2) Organizers

Is the conference organized and efficient? And are the organizers open to suggestions for change?

Eric Foley, Enna Grazier and Mark Higgins are all busy photographers. But every year, for the last several years, they have dedicated themselves to producing a phenomenal event that is rich in quality content. It's no easy matter to put this photography conference on, but they do so with the help of great volunteers and a hotel staff that is now well-tuned to their needs. I give Eric, Enna and Mark full credit for elevating their conference game each year. They provide a safe space for everyone to express themselves, in a format that truly feels like you are at a retreat. Year after year, they make it a point to send out a survey after the conference to see how they can improve the overall experience for everyone.

High marks for the trio on this one because I have seen this conference grow, not so much in size thankfully, but in quality.

3) Speaker Lineup

Are the speakers simply dumping information or are they teaching you a skill?

Sean D'Souza of Psychotactics has a great metric for workshops and conferences. If they are simply an information dump, he gives them a failing grade. What makes his own workshops stand out is the fact that you will never leave without learning a skill – a skill you can put to use right away.

The speakers at Inspire Photo Retreats do the same thing. There is information, for sure. But the skills that they teach are actionable. While there is some overlap, year to year, the organizers go to great lengths to find speakers who will add value to those who attend.

I spoke with six speakers (see below), but there are 19 speakers in all, over the course of three days. From my experience, every speaker prepares to wow with information that is actionable. I'm willing to bet I won't find a seat again when Spencer Lum speaks. Or, how about Sarah Dugan who will be teaching us to work with cyanotype and produce salt prints. Did you want to learn how to market using video? Kate McElwee is set to teach you just that. Wendell Fernandes, whom I haven't met, will help you hone in on creating and sustaining client relationships. Want to learn about the lucrative and colorful world of multicultural weddings? Petronella Lugemwa is the right person to do it. And there are others, each bringing their A game to a conference that they love.

4) Wonderful Vendors

How engaged are the vendors? Is the trade show only an opportunity for vendors to sell to us or for us to get to know them and their products?

What's a conference without a trade show, right? Well, again, the trade show at Inspire Photo Retreats feels different. Thanks to the limited number of participants, there is more time and more opportunities to sit down and talk with the vendors who will support you through the year. I recall having a wonderful time speaking with Kate Kauffman of Fundy Designer, Joel Wiebner of Perfect Image, Colin Breece of ShootProof and Kyu Don Kwak of Pictobooks.

I found pockets of time to steal away and speak with the vendors. ShootDotEdit, with Jared Bauman's leadership, really set the tone for what vendors can expect at Inspire Photo Retreats. As Bauman told me a few years ago, “We are in it for the long haul.” I believe every vendor understands and accepts this paradigm; you come year after year, not so much to sell but to see how to help photographers problem-solve.

Interviews With Speakers

I was asked to speak with six presenters – Dani Diamond, Andrew Funderburg, Jen Rozenbaum, The Scobeys, Vanessa Joy and Huy Nguyen – and record their aspirations for this conference.

Dani Diamond

The Scobeys

Andrew Funderburg

Jen Rozenbaum

Vanessa Joy

Huy Nguyen

You'll agree it's a diverse group of speakers. Do look at the full line up of speakers at Inspire Photo Retreats this year.

Community, The Common Theme

Whether it is on TiffinboxTV or here on the blog, I've talked about stepping away from your business to recharge your creative batteries. There is no better conference than Inspire Photo Retreats that will help you do just that.

Think of what you will learn, think of who you will speak with, think of the networking opportunities, think of just being away from home for a few days and think of the community you will begin building.

Whether you are a portrait or wedding photographer, there is a speaker who is meant just for you. So hop off of that fence and register now.

Join me at Inspire Photo Retreats this year!

The Modern Portraits Master Course, Five Courses In One

December 28, 2016 by Seshu | Editor & Publisher Leave a Comment

If you take a moment to think about it, Mario Masitti is right. Lighting, posing, editing, sales, and marketing are all topics that are critical for portrait photographers.

Over the last five years, Mario has taught photographers the in's and out's of portrait photography – both the craft and the business.

Five Courses In One

After making multiple individual courses available, Mario recently bundled them all up for you, the portrait photographer.

The Modern Portraits Master Course by Mario Masitti is a bit of a monopoly. You get Mario's take on Lighting, Posing, Marketing, Editing and Sales.

Go ahead and click the links above to explore each of the options. You'll notice that they are each marked at $94.99. But you can score the entire course – all five “modules” – for only $394.99 (and if you are quick, you can get 25% off that price when you use the code: NEWYEAR25.

Variety & Depth

I haven't seen anyone offer so much under one banner course. And, if there are such an options out in the interwebs, I suspect it costs twice or thrice as much.

Poking into some of the course material, I can tell you that the master course has a ton of visual examples; photographs from actual photo shoots with clients and links to videos, where Mario talks you through situations that you will encounter. Each module has its PDF ebook to go with it, so you never feel left out in the cold.

The Modern Lighting course, for example, includes a 56-pae PDF ebook, a 25-minute supplmental lighting video and two special bonuses.

Mario's Crazy Guarantee

This straight from Mario's website: “Every Sessions With Mario product is backed by a 100% Money Back Guarantee. If you don’t absolutely love the course, it’s on me!”

Feel more comfortable now buying Mario's The Modern Portraits Master Course

Mario's promise:

This Master Course was designed for portrait photographers looking to take their portraits AND their business to the next level – to shoot better images, edit faster, market smarter, and sell bigger. With no-frill videos, beautiful PDFs, and awesome challenges, the Master Course equips you with what you need to grow into a 6-figure portrait photography business and rock your next seasons in 2017!

Interviewing Mario

It was a pleasure to connect with Mario, especially to discuss this new venture called The Modern Portraits Master Course. Check out our chat below:

As A Photographer Do You Transform People’s Lives?

September 19, 2016 by Seshu | Editor & Publisher 3 Comments

Transform: it's a single word, with deep implications.

Read on if you want to make a difference, and subsequently have that change you for the better and potentially, richer.

“Do you transform people's lives through your photography business?” When I first heard Steve Saporito pose the question, I didn't know what he was talking about. I admit, it felt a little woo-woo. After a week-long workshop with him, the light bulbs started going on.

I realized that most photographers wait to discover their clients at the photo session or at the wedding. In fact, I confess doing just that.

I would excitedly send out a questionnaire the second someone came knocking on my website for a family portrait session or wedding. As soon as I had hit “send”, I figured my job was done and all I needed to do was to just wait for their responses.

All I got back in return were … crickets. Frankly, the replies came but often only minutes before a session or not fully completed. It left me feeling helpless and slightly frustrated because I did not know my clients at all. We were completely out of sync from the get-go. Can you imagine the quality of their photographs? They were emotionally flat, almost absent. And that was my doing, not theirs.

I foolishly figured my branding, website and messaging had to change. Or, was it my portfolio? Or, did I have to up my social media game?

No, in all honestly, none of that mattered more than the experience I was providing my clients. And it was poor. Something had to give and that's when I approached Steve Saporito at his New Haven, Connecticut workshop. My photography business was in a critical condition. I had to make changes and fast.

Thanks to Steve, I experienced a mind-shift. What would happen, I wondered, if I took the time to get to know my clients in a meaningful way that helped them be seen, heard and loved by the people in their lives right now? Ahead of their session, our clients would have an opportunity to reconnect with their family in a way that makes the entire process of being photographed together a joyous event. That's where and when the transformation takes place. And the transformation isn't limited to just your clients. Indeed, you as their photographer experience it as well.

Ultimately, clients reward you for giving them this beautiful experience before their session and for the artwork that become a permanent anchor to their heightened emotions. The

Really, there is a lot more to this than a blog post can cover. If you get a chance to listen to Steve speak (podcasts or at conferences), don't miss out. A couple of weeks after attending his workshops again (yes, again) in New Jersey, I invited Steve to a Skype call that I figured wouldn't last more than 10 or 15 minutes. But here we are chatting about all of this for about 45 minutes. It's a good long listen, but I assure totally worth your time:

As a business coach out of Melbourne, Australia, Steve Saporito teaches photographers through his Empower & Effortless Premières workshops and education platform called Intuition To Succeed.

I want to thank my friends Jasen Arias and Mike Allebach for persuading me to attend Steve's workshop in New Jersey. Like a lot of you, I hummed and hawed about going. I conjured up all kinds of excuses. In the end though, my goal to know how to be fully present for my portrait clients, trumped all attempts to bow out.

Without hyperbole, let me tell you that Steve's workshops ARE the best business workshops I've ever attended. And, I will go back for more in the future.

If you are spinning your wheels and have no clue how to resuscitate your photography business, ping me and I'll let you know more about my experience at the Empower & Effortless Premières workshops. The next one in North America is going to be in Toronto, Canada, from October 5th through October 11th.

To quote Jasen and Mike, “Just put it on the credit card and go dude. You'll pay it off in no time.” So true!