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Far Pavilions

February 5, 2004 by Seshu | Editor & Publisher

The NYTimes reports that M.M. Kaye, the novelist who gave Americans a rather romanticized and, in my opinion, a parochial view of the British Raj died Thursday. She is best known for writing The Far Pavilions. A television series by the same title, in 1984, brought her worldwide attention.

Was it not also in the early 1980's that Sir Richard Attenborough's Gandhi and another television series, The Jewel in the Crown made their debut?

M. M. Kaye, 95, Novelist Who Evoked Raj, Dies
By WOLFGANG SAXON

Published: February 5, 2004

M. M. Kaye, the British writer and illustrator, who wrote “The Far Pavilions,” a luxuriant evocation of her upbringing in the India of the British Raj, died last Thursday. She was 95 and lived in Suffolk, England.

Her death was announced Tuesday by her New York agents, Harold Ober Associates.

Mary Margaret Kaye — or Mrs. Hamilton, as she was also known — started a moderately successful writing career in the late 1930's. She had filled a medium-size bookshelf with children's books, novels and mysteries before she published her blockbuster of a historical romance in 1978.

“The Far Pavilions,” published in the United States by St. Martin's Press, was an immediate best seller. Set at the zenith of Britain's Indian Empire and covering a period from roughly 1885 to 1920, it led to a television mini-series in 1984, sold millions of copies around the world and remains in print, as do a dozen of her other books.

Using her nickname Mollie Kaye, she wrote stories for younger readers, like her “Potter Pinner” series (1937-41), and “Black Bramble Wood” (1938). Some of her other books were ascribed to Mollie Hamilton.

She had written two earlier historical romances of lesser renown, “Shadow of the Moon” (1956) and “Trade Wind” (1963). The first dramatized events of the Indian Mutiny of 1857 as witnessed by an orphaned Anglo-Spanish heiress sent to India to marry. “Trade Wind,” set in Zanzibar, similarly tells a story of conflicting cultures.

“Far Pavilions,” nearly 1,000 pages long, was written over about 16 years and relived a world of the viceroys and maharajahs that its author knew well. She was born in Simla, summer residence of the British viceroy. Her father, Sir Cecil Kaye, was titular head of an Indian state, Rajputana. Her husband, Maj. Gen. Goff Hamilton, served with Queen Victoria's Own Corps of Guides, as had his father.

She started the book in 1964, but it had barely reached three chapters, when a diagnosis of cancer stopped her. She picked it up four years later, upon her husband's retirement, and kept writing and doing the research for it in England while fighting her illness.

The result has been compared by some to the Civil War epic “Gone With the Wind.” She said she “just let the book take over and write itself.” It surprised her, she said, when Thomas McCormack, president of St. Martin's Press, acquired the manuscript without cuts.

Her other work thrived as well, thanks to the fame of “The Far Pavilions.” She had written many detective and mystery novels, beginning with “Death Walked in Kashmir” (1953) and continuing into the mid-1990's. The settings of the books shifted with her husband's postings, from Berlin to Cyprus to Kenya. They, too, remain in print.

In “The Far Pavilions,” passions, intrigue and narrow escapes involve concubines, dashing heroes and princesses. Its television adaptation, presented in installments, starred Ben Cross and Amy Irving and featured Omar Sharif, Christopher Lee and John Gielgud.

Miss Kaye edited several volumes of poetry by Rudyard Kipling and wrote an autobiographical trilogy, “The Sun in the Morning: My Early Years in India and England” (St. Martin's, 1990), “Golden Afternoon” (St. Martin's, 1998), and “Enchanted Evening” (Viking, 1999). All remain in print.

General Hamilton died in 1985. They had two daughters, Carolyn and Nicky, who survive, according to The Telegraph of London, as does a stepdaughter. Speaking of pseudonyms as a writer's alter egos, Miss Kaye told Herbert Mitgang of The New York Times in 1978, “If you're writing about rabbits, readers might not take you seriously with a large historical romance under the same name.”

Filed Under: Books

The Apple of My Eyes

February 4, 2004 by Seshu | Editor & Publisher

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Filed Under: Photography

A Different Mirror

February 4, 2004 by Seshu | Editor & Publisher

Hemali Dassani must have quite an audience. I have to admit I am actually a bit envious of her. You might be hard pressed to find her writing in bookstores or libraries, but those of us who receive her occasional musings and missives are truly lucky. Her recent thoughts and travelogues from India alone caused quite a stir in me. I'll try and fish out her email from Jodhpur, Rajasthan. Evocative and full of imagery, Hemali writes not from the gut, but from the heart. True, some of her writing may initially appear disjointed, but things always seem to come full circle in the end. It might be something she has read, seen, thought or felt. Whatever it is, she gently nudges us into thinking about things that are beyond the banal, giving us the kind of reprieve I feel we all need from the mundane rhythms of life. I think what I like most about her writing or quotations is that it helps us peer into a different mirror and ask ourselves some very interesting questions.

It's quite simple. She needs to be read by more people. I am trying to persuade her to start a blog of her own, but she just might occasionally post something here on Tiffinbox. Keep hope alive!

Meanwhile, this note from her landed in my in-box today:

Via Hemali Dassani

overwhelmed with work yet taking a break to indulge in some merry procrastination, i sit here wondering, why have i not written any musings or missives over the course of the past few months???? …..

“Our tragedy today is a general and universal physical fear so long sustained by now that we can even bear it. There are no longer problems of the spirit. There is only one question: When will I be blown up? Because of this, the young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat. He must learn them again. He must teach himself that the basest of all things is to be
afraid: and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old
verities and truths of the heart, the universal truths lacking which any story is ephemeral and doomed–love and honor and pity and pride and compassion and sacrifice. Until he does so, he labors under a curse. He writes not of love but of lust, of defeats in which nobody loses anything of value, and victories without hope and worst of all, without pity or compassion. His griefs grieve on no universal bones, leaving no scars. He writes not of the heart but of the glands.

Until he learns these things, he will write as though he stood among and watched the end of man. I decline to accept the end of man. It is easy enough to say that man is immortal because he will endure: that when the last ding-dong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's, duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past. The poet's voice need not merely be the record of man, it can be one of the props, the pillars to help him endure and prevail.”

–William Faulkner: Nobel Prize Speech
–Stockholm, December 10, 1950

Filed Under: Word Up!

JOB: Web Designer

February 4, 2004 by Seshu | Editor & Publisher

Via Sree Sreenivasan

Web Designer/Producer @ csmonitor.com

The challenge of creating the visual identity and information architecture of a top news website thrills you. You care about the news and you love the thoughtful, insightful approach that The Christian Science Monitor newspaper takes towards news and world events. You are flexible enough to adapt to both a fast-paced breaking news environment and in-depth, long-term content creation. You work hard. You thrive in a team-oriented collaborative work environment. You're great with code and Flash, too. You stay current with technical innovations and Web design trends that can result in an intuitive, easy-to-navigate, welcoming website just because you love this stuff so much.

A. MAIN RESPONSIBILITIES

Responsible for the ongoing look and quality of csmonitor.com,including its design, structure and functionality.

* Conceptualizes, designs and produces innovative design solutions using Web-specific technologies such as HTML, DHTML, Flash, JavaScript and CSS.
* Develops design solutions from a user-centered perspective and understands Web design usability issues.

B. REPORTING RELATIONSHIPS (and regular contacts):

* Supervisor: Reports to Managing Editor, csmonitor.com
* Regular Contacts: Monitor employees, managers, and outside vendors.

C. JOB REQUIREMENTS (and preferences):

* Education/Experience: College degree or equivalent.
* Skills/Knowledge: At least 2 years experience designing in the online medium. Extensive, demonstrable knowledge of HTML, DHTML, Flash, JavaScript and CSS. Must have an eye for typography, color and site structure.
* Qualities/Traits: Ability to work with people as part of a team. The ideal designer/producer has good news judgment and editorial skills, since s/he creates online content projects in collaboration with other news producers.
* Work Environment: News demands can require working a Sunday-Thursday workweek, some holidays and when news breaks, a few odd hours.

To apply for this position:

Please send a resume and cover letter to jobs@csps.com

Filed Under: Jobs

JOB: Videographer/Editor

February 4, 2004 by Seshu | Editor & Publisher

Via Sangita Chandra

Videographer/Editor

WCVB Creative Services has an immediate opening for a videographer/editor. Applicants should have several years experience shooting and editing promotion spots or commercials. AVID editing or other non-linear experience a must. We're looking for a highly-motivated, self-starting individual who can work with our producers to create everything from high-end campaigns to quick-turnaround topicals.

Videography experience requires a solid background in location production, especially lighting. We put creativity first, but applicant should be able to technically execute ideas and have plenty of their own.

We are an equal opportunity employer, m/f/d/v. Minorities and females are encouraged to apply. All interested candidates should send a resume to: WCVB-TV, 5 TV Place, Needham, MA 02494-2303,
Attention: Patrick Baldwin, Director of Promotion or e-mail Refer to Job Code VE0204. No phone calls please.

Filed Under: Jobs

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About Seshu

Seshu creates relaxed portraits of families and high school seniors in Avon, Connecticut. He also leads a successful headshot photography studio in Connecticut, helping professionals from a variety of disciplines project the very best versions of themselves. He created Tiffinbox as a way of inspiring photographers, to create better images and successful businesses. [Read More]

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