The series of images you will see here are by Roycin D'souza. He is a 20-year old photographer based in Mumbai. While he is also very passionate about photographing musicians in concert (he has photographed over 350 concerts), he started #TAD365 when he felt “the need of shooting more portraits of regular people from a diverse background.”

I've always been jumping around on Twitter and associating this with Twitter made so much more sense since the community gave back to me much more than I could expect.

Since June 2011, he has photographed over 285 people for the project ranging from advertising creatives, to celebrities, writers, teachers, food bloggers and chefs. Roycin quit his day job to travel to five cities in India to photograph these Twitter personalities. He says he spent everything he earned in the last 2 years to make this project a success. He adds, “I'm almost close to a millon hits for the project (on Flickr itself) and I'm travelling to Dubai tomorrow for a month to shoot and meet more people.”

“The project has a very raw element to it. I use a DIY lighting setup and travel all around the city on my Honda Activa (scooter). The people I meet are very different from each other and the shoots are even more impromptu depending on the ideas and the available time.”

Check out Roycin's blog, Facebook page and of course the #TAD365 project as well.

Do you know of other photographers working on personal projects? Feel free and introduce them to Tiffinbox. I would love to hear from them and highlight their work. Thank you!

This guest blog is a second for Jen May Pastores. Her first post was about her Cambodian photo project.

Beyond the online sphere of social media, smart phone efficiency, and the praise of technological advances that the world goes gaga for there is still an unfulfilled satisfaction that plagues many of us. It’s a real desire for a true connection without the abbreviations or vagueness that often travels through digital walls. Symptoms of this desire starts with often checking emails for replies, scanning Twitter for mentions, and counting likes and comments on Facebook. This is where Woot Camera intervenes to present a pleasant breakaway from the modern day overload.

Woot Camera is a personal project that sends a disposable camera to strangers across the world. It arrives in a purple box in the mail–sent from the previous photographer–and when opened a personal handwritten note sits on top to greet the new photographer. Included are instructions to take a single, creative image with the Woot Camera and then send it off to the next person. When completed the camera returns to me and the exposures will be developed and shared online. It’s a fun example of balancing the intimate joys of a tangible connection and sharing it with the multitude of users on the Internet.

All participants signed up last month when I first released the project and since then Woot Camera has traveled to five cities on the east coast. Other places like Canada, Dubai, Japan and more cities in the states are on the itinerary, as well. Participants have expressed excitement in sharing this experience and are eager to see the results. Who wouldn’t enjoy discovering a package in the mailbox in front of their home that encourages creativity and new friendship?

Woot Camera will continue to rescue the dissatisfied, gadget-addicted-junkies with a second round of participants starting before the holidays. The best part about this is that anyone can start their own traveling camera project. Tie a disposable camera around a tree or leave one on the subway. The possibilities start with you giving back in a unique way. Photojojo, an online source of the best photo tips and DIY projects around, is also another great place to discover fun ideas.

Follow Woot Camera’s journey on Twitter (@wootcamera) or sign-up to be a part of the project.

This is a guest post by Robb Hill, a Washington, DC based photographer.

A few years ago I received an e-mail from my father. It was a link to a story in the Louisville Courier-Journal about how Kentucky and Indiana were in the planning stages for a new bridge to cross the Ohio River. His e-mail included the news that the location for the connecting highway will run about half a mile from the 150-year-old farmhouse they’ve lived in for 35 years. It was then I decided to photograph our pocket of rural, Southern Indiana.

Creating a historical record of the area before construction began appealed to me. A few months later I was photographing the woods, farms and fields I tromped around in as a kid. I found an old family cemetery I never knew about. Subdivisions that were just a few homes when I left for college had grown into communities of their own. Some of the woods were sparse from being logged over. Much had changed already in the land of my youth.

What has changed very little since I moved away are the people. Almost everyone I knew while growing up still lives there. A few have passed away and one couple moved. This should not have been the surprise to me it was. The Meyers have been farming the same land for four generations. The names Summers and Lentz on the headstones in the family cemetery from the 1800s can be found on mailboxes today.

Since starting my HomeLands project, I’ve come to understand just how much the land and the people are one. They may not say it in those words, but I know they feel it. Where they live is who they are. That can be said about anyone, I know, ask any New Yorker. But these people are unique: They know their way of life is facing imminent demise.

To see more of HomeLands or donate via the Kickstarter.com website click on this link.

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