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5 Key Laundry Detergent Takeaways That Will Help You Build Your Photography Brand

October 21, 2013 by Petronella Lugemwa

My name is Petronella Lugemwa. I own Petronella Photography, a boutique New York area wedding and portrait photography business that specializes in telling stylish multicultural love and life stories using photographs.

Before pursuing photography professionally, I worked in consumer brand management on big household brands including Pepsi, Advil, Avon and Splenda. As part of those brand teams, I had responsibility for developing campaigns to increase brand awareness, household penetration, usage, defend against generic imitator brands and general online and offline promotion strategies.

For a few years, I had loosely applied the branding strategies I’d learned in the corporate world to my photography business but never formally married the two experiences together until one day when it hit me, being a photographer in this saturated and competitive industry is similar to the work I’d done developing strategies to differentiate my brands versus generic brands. My mission is to help wedding professionals build authentic, distinct brands that are differentiable and price insensitive by sharing my branding insights and opinions.

So what do detergent brands have in common with photography brands?

In this article, I’ll explain how photographers can leverage 5 key insights from well-known detergent brands to begin to create distinct photography brands.

A good brand makes a distinct statement about who it is and what it stands for and then consistently reinforces that statement in everything it does offline and online.

Walking through the store looking at detergent, I quickly noticed that the highest priced detergents have distinct messaging and positioning and therefore, they don’t have to compete on price, even though in general, there’s not a substantial difference between detergent ingredients. These brands know who they are and consistently perpetuate their value proposition in everything they do.

Below is the pricing for all the detergents I picked up: with the total price you see on the shelf and the calculated price per pound.

Detergent Branding - Petronella Lugemwa

Detergent Pricing Chart by Petronella Lugemwa

In this post, I’ll break down the two most expensive brands in the detergent category and share high level insights that you can apply to your photography brand and business.

Detergent Branding by Petronells Lugemwa

Dreft Detergent

Dreft is the most expensive detergent at $11.76 and is positioned as the detergent specially formulated for baby clothes and most recommended by pediatricians. Dreft has a very distinct positioning and target consumer. Among detergents made for baby clothes, it’s the market leader, so it’s a specialty niche brand that can command this high price. Additionally, it leverages the well known and trusted Pampers brand equity and has a pediatrician most recommended claim to further build trust with the consumer, very smart branding and marketing because these association are valuable to new parents.

Key Takeaways for Photographers

1. Don’t be afraid to target a clear specific client or niche

2. Stand for something and don’t try to be everything to everyone. Though they may not always agree with you, people respect brands that stand for something, not everything.

3. Borrow brand equity by aligning yourself with or partnering with a well-known and respected wedding vendor or brand to help your clients understand what you stand for. It's similar to how some photographers show Jimmy Choo shoes to convey a perception about their brand.

Detergent Branding by Petronella Lugemwa

Tide Detergent

In the United States, when you think of detergent, Tide most likely comes to mind. Within the detergent category, it’s the clear market leader. Over many years, it has built a brand known for superior cleansing power using compelling cleaning technology claims and slogans that directly address what’s on every consumer’s mind: “if I spill spaghetti sauce on my white shirt, will it easily and effectively take the stain out?” In the past, Tide has used slogans and claims like “grease fighting technology,” “Keeps clothes looking newer 50% longer” and “if it’s got to be clean, it’s got to be Tide” to position itself as THE stain fighter. These claims are further highlighted by Tide’s bold orange and yellow bulls-eye logo.

In addition, Tide is a leader in its category, which has helped achieve its #1 detergent status including being the first to advertise detergent on television, the first to provide detergent samples inside new washing machines and the first with color safe bleach. Since then, Tide has continued to innovate more than any other detergent brand maintaining its #1 status in its category.

Key Takeaways for Photographers

1. It’s easy to just follow what others are doing, but being a follower will never make you stand out. Be a leader and constantly take risks and try innovative methods of marketing, shooting and delivering on your clients needs.

2. Identify what your business does better than others and create a compelling claim that you can share with your clients. An example of a compelling claim is this: our 2013 surveys show that 90% of our clients are satisfied with our photography service. That’s a compelling, distinct claim that few other photography studios could state.

Stay tuned for subsequent blog posts where I break down and share key branding tactics.

In the meantime, if you’d like to learn more, I’ll be speaking more about branding at the 2013 NYC Styled Bridal Shoot and Business of Photography Workshop together with Syed Yaqeen of SYPhotography, Segun Olotu of Sottu Photography on Sunday, Nov 3, 2013 from 11am to 3pm.

Tiffany of Tiffany Chalk Events has pulled together a glamorous styled shoot with the inspiring speaker, actor, model Johan Luis as the groom.

We’re also so excited to have Munaluchi Bridal Magazine on board as the media sponsor for this workshop, which gives all participants the awesome opportunity to have their photos featured in this premiere online wedding and bridal resource.

Please note: Petronella is also offering a special promotion to all Tiffinbox readers for 5% off the registration fee using code: Tiffinbox. For more details and to register, visit { HERE }

Filed Under: Home Middle Right, Photography Business

Why A Commercial Photographer Decided To Do More

October 17, 2013 by Pascal Depuhl

“Why?” That question still rings in my ear, as one of my client told his boss: “Pascal is going to Afghanistan, to film a documentary.”

Since late 2011, I still get that a lot. To be perfectly honest, those who ask “Why?” aren’t that far off – I mean what business does a commercial photographer from Miami have in the mountains of Afghanistan? After all I live at sea level for crying out loud. On top of that I’ve never made a documentary before, come to think of it, I’ve only been producing videos for my clients for six months at that point. Why on earth would I want to do this?

Afghanistan From 30,000 Feet

Why? Well, because I believe I have a gift. No, I’m not special, you do to. We all have and I’m not just talking about photographers. Accountants have a gift for numbers, teachers have a gift for teaching, nurses have a gift for caring. I’m talking about an ability your born with, a God-given gift, that innate talent you did not earn, acquire, purchase, but that you’re just good at. In my case that gift is the ability to communicate visually. Now I’ve honed that skill, trained my eye, learned my craft, but that underlying something is still there and I believe that something requires us to give back.

Please understand, I do that for my kids PTA, my church, local community groups with Pro Bono work, but in the summer of 2011 I had this little voice in my head that told me I should do more with my videos, than just make money – like helping my college buddy let others experience what he does for a living. The only catch: Daniel flies relief work in Afghanistan. For the past 14 years.

Anyway, I hear this little voice say: Do more and immediately I think ‘That’s too dangerous.’ About a week later, same little voice: Do more, like helping Daniel let others experience what he does for a living.

‘Yeah right. I’ve never done something like that before, it’s gonna be to complicated.’ Next week. Same voice. Do more … I’m thinking ‘Too expensive.’ Following week, same voice. Do more. And I think of another excuse, why I should not do this. You get the picture. This literally goes on for a month and a half ‘They don’t need a movie.’ ‘I don’t know how.’ '25 below zero – are you serious?’ ‘Don’t think my equipment can handle that.’ Always that same voice: Do more.

Finally I write an email to Daniel “I have this crazy idea …” (Seriously that’s what I titled the email) fully expecting at the very best a fully qualified maybe as an answer. ‘Maybe, but too dangerous, too complicated, too expensive, too unnecessary, too inexperienced, too cold.’ What I got was “Sure, we’d love to have you. It would be fun. Actually we need a movie, one of our major sponsors requires us to produce videos, so sure. Go ahead put together some numbers and let’s talk.” As I receive Daniel’s answer and read it, I’m thinking more along the lines of “What did I get myself into?” and then I remember: Do More. (Full disclosure they paid for my expenses, my time – that’s the two weeks filming and the year editing the video was pro bono.)

Daniel and Pascal In Lal, Afghanistan

There’s also a second reason I’m thinking of going. First of all I wanted to tell Daniel’s story. Those guys do some amazing work and it deserves to be told. Secondly I see this as a great opportunity for me to learn a new skill. I don’t know about you, but I learn best and fastest under pressure.

And filming in a country like Afghanistan, with it’s impenetrable terrain, extreme weather conditions, with a culture I don’t know and a language I don’t speak; creating a movie that is not scripted or storyboarded, but where you have to find the story as you go, flying around that country in small planes recording air to air from a chase plane, getting dropped off in remote (as in 40 day hike remote) landing strips in the Wakhan corridor and watching your ride take off and disappearing from sight, while you get ready to film take off and landings, kinda qualifies for pressure. Don’t you think?

Pagasus In Kret

To make a long story short, six months after that email, I found myself kneeling on a snow covered runway filming a small plane buzzing four feet over my head in Lal, Afghanistan, situated at 9,200 feet elevation. The temperature was about -25ºC. That was by far my favorite day at work.

Why did I go? To do more. To help others. To learn. To hone my craft. To learn a new skill. Was it worth it? What do you think? How far have you gone to do more? What risk have you taken to honor your gift?

Read more about Pascal's work on his blog.

Filed Under: Featured Post of the Day!, Video Tagged With: A Commercial, Afghanistan, Commercial Photographer, Gift, photograph, Relief Efforts

Dani Diamond’s Mission To Create Amazing Headshot Portraits Of Fellow Photographers

October 16, 2013 by Seshu | Editor & Publisher

Long title, I know.

But you've gotta check out this interview I did with Dani Diamond about his project called, um, The Project.

When I first saw it on Fstoppers, I was hooked. Here is a photographer who goes around photographing his peers in the photography business for free. I am sure you are as curious to know why as I was, right? Well, watch the video below.

Here is how it went down: I found out that Dani lives in Waterbury, Connecticut. That's just about 30 minutes from where I live, so I didn't waste any time in setting up a time to meet up with him. He invited me to his home as the Barnes & Noble bookstore we originally intended to use lacked a quiet spot where we could both sit and chat.

Anyway, in this interview, I ask Dani about The Project; why he started it, what motivates him and what he plans on doing with all these amazing headshot portraits. His responses will bring a smile to your face. I promise you. So, watch the video now.

Dani Diamond's The Project

Dani does an amazing job. I mean just take a look at these images below. He uses one camera (a Nikon D800) and one lens (a Nikon 85mm f/1.4). He places his subjects in amazing light and then waits till he thinks they have revealed a little bit of their personality to him. He says this has helped him fine tune his skills photographing couples. I can only imagine how lucky his clients feel when they encounter Dani who is so eager to master his craft.

Dani Diamond's The Project

Dani Diamond's The Project

Dani Diamond's The Project

Dani Diamond's The Project

Dani Diamond's The Project

Dani Diamond's The Project

Dani Diamond's The Project

Dani Diamond's The Project

Dani Diamond's The Project

What personal project are you working on? Share it with us below and if it catches my fancy, I'll reach out to you to interview you just as I interviewed Dani Diamond about his mission to create amazing headshot portraits of his fellow photographers.

Filed Under: Featured Post of the Day!, Photography

Portrait Photographers, Two Guides To Grow Your Portrait Business

October 3, 2013 by Seshu | Editor & Publisher

My friends at Photoshelter have packed a one-two punch by launching two guides about growing your portrait photography business.

Growing Your Portrait Photography Business - Part 1 - Photoshelter

Part 1 of the series will interest portrait photographers who photograph families, kids and high school seniors.

This one has tips from seasoned portrait photographers to target an audience, determine pricing packages, master people skills, and influence word-of-mouth referrals. Plus the guide has tips to:

– Build a portrait photography business from the ground up and grow a presence online.
– Capture a subject’s personality, read body language and be an expert storyteller.
– Demonstrate a unique style when shooting kids and seniors.

Learn more about this guide here.

Growing Your Sports Photography Business - Part 2 - Photoshelter

Part 2 of the series is geared specifically to editorial and commercial portrait photographers.

Portrait photographers will get pointers to:

– Prepare for a shoot, including the top questions to ask before you arrive.
– Build connections with clients with great customer service.
– Impress photo editors with an exceptional online portfolio.
– Get smart about pricing and negotiating contracts and licenses.

The guide also contains interviews with some great portrait photographers, including Brian Smith and Jim Jordan, to get their tips on shooting killer photography, plus the secrets to great portrait lighting.

Learn more about this guide here.

After you download both guides, would you please come back here and let us know what you thought of them? What did you particularly take away from them and how will you deploy those tips into your portrait photography business. Inquiring minds want to know! Comment below.

Filed Under: Home Middle Right, Photography Tagged With: Business, editorial, grow, growing your portrait business, Photography, Photography Business, photoshelter, Portrait Lighting, portrait photographers, portrait photography business, sports

Your Photography Business Doesn’t Need A Path

October 2, 2013 by Angela Pointon

Angela Pointon is the founder of Angela Pointon Photography and Steel Toe Images, which offers advice and inspiring motivation for photography business owners. Angela's weekly email newsletter is packed with advice for photographers, which can be subscribed to for free here. In addition, she has authored multiple books for photographers, is a monthly columnist for Professional Photographer Magazine, blogs at Steel Toe Images and posts to Facebook, G+, Pinterest and Twitter.

You don’t need a plan or a path. I mean, really. You don’t. But, if you're in the photography business and you want to successfully compete, earn healthy revenue and achieve goals, then you actually should have an idea of where you're going. Here's what I mean…

Photography Business Plan Sample - Angela Pointon

Anyone (and I mean anyone) can start a photography business today. You've probably read about the insane low barrier to entry for the photography industry. And while this low barrier to entry creates a photographer, not a creative ass-kicker, it also creates a business owner.

Assuming we eliminate the hobbyists out there, those photographers using a camera to earn money encompass a definitive universe of people. And within that universe of people, there are a small number that you actually compete with. If you serve a certain geographic area or a certain genre, then the others that also try to do that same thing are your competition. (By the way, your competition is also your clients that choose to “shoot it themselves” or not hire you at all.) But for now, let's focus on the small part of the universe that you actually compete with every day for dollars.

What Sets You Apart From Them?

My images are different.

Yea, maybe.

My clients love me.

You're getting warmer.

I've won awards.

You're getting colder.

I'm a better business owner.

You're red hot.

Running a successful photography business involves being a better business owner, marketer and also a better person. If you put yourself in your potential client's shoes, it's really hard to hire a photographer if they're a poor business owner and a really shitty marketer, isn't it? Even if their images are breath-taking.

But you can gain competitive advantage for out-marketing and out-pathing and out-businessing (new words) the next guy or gal.

A Photography Business Plan Can Set You Apart

So many photographers launch businesses (daily) with absolutely no clear plan. They're not specific on what they're shooting. They're not certain of where they're going. They only know they're on a new road called photography.

This presents an opportunity for you to one-up this trend.

By creating a photography business plan, you're not merely laying out your plans for growth, revenue and success. You're planning your opportunity to more successfully compete as a business owner. And perhaps most importantly, you're positioning yourself and your business to be better, whatever that might mean to you.

Download A Photography Business Plan Sample

I wanted to create a photography business plan that made sense for my own photography business. If you've searched around for one, like I did, you found lengthy documents that are more appropriate for photographers looking to get bank loans. In other words, they looked like documents a banker would enjoy reading. They didn't, however, look like plans that would actually help a photographer compete and move forward.

So I decided to just create my own photography business plan based on what I learned from being a customer of Gazelles at a past marketing agency. It includes the few things that photographers will find useful and it fits to just one page of paper.

I wanted to make it accessible to other photographers, too. So I am offering it for download here. The best part about it is you get to name the price you want to pay for it. It has a suggested price of $27, but when you place it in your cart you can edit the price.

Think you'll get tons more value out of it? Go ahead and make it more. Is your photography business budget just too tight? I totally respect that. Go ahead and make it less. No, seriously.

Check it out here

.

Filed Under: Business, Home Middle Left, Photography Tagged With: angela pointon, Business Plan, Business Plan Sample, Crafting A Business Plan, Photography, Photography Business, Photography Business Plan, Photography Business Plan Sample, Sample, Starting A Photography Business, Steel Toe Images

Christine Tremoulet Discusses Her New Project For Women Creatives: Vivid & Brave

October 1, 2013 by Seshu | Editor & Publisher

Houston based photographer Christine Tremoulet described a new project she has co-founded, called Vivid & Brave, for creative women.

If you are a creative woman, running a business that requires you to write blog posts from the heart and evoke your core vision for your ideal clients, you are going to want to check out Vivid & Brave.

Christine and I sat down last week to talk about Vivid & Brave and what it means for creative women.

Vivid & Brave is a labour of love collaboration between Christine & Stephanie. After meeting at a professional photographer's conference in 2011 and working together over the past two years as mentors, we learned we are committed to the same mission – to help women rediscover the parts of themselves that far too often get lost in the journey of life. We want to help you find your voice again, and share it with the world.

From Christine's last message to me, I know there are only 4 spots left in this inaugural class she is offering with Stephanie O.

Find out more about Vivid & Brave and apply to be a part of this new experience. Your business and your clients will thank you for it!

Filed Under: Blogging, Business, Home Middle Right, Interviews Tagged With: Christine Tremoulet, Creative Women, Creatives, Program For Women, Vivid

Sound Advice For Flustered Photographers – Stop Editing, Start Living: Part 4

September 24, 2013 by Amanda Kraft

Amanda Kraft is a photographer and holistic health coaching living in Lancaster, Pennsylvania. She photographs high school seniors and recently created Stop Editing, Start Living to help creative professionals regain control of their businesses, so they can live the life they have always dreamed of. Most days she can be found coaching her clients, preparing gourmet dinner, relaxing with her husband or enjoying the open road in her jeep. Read part 1, part 2 and part 3 of this series before continuing ahead.

Amanda Kraft - Stop Editing, Start Living

Visualizing A New YOU!

We've discussed taking back control of your schedule, setting up boundaries and now getting back to the basics of eating.

Remember it took you awhile to reach this point in your life and an overnight fix isn't the answer. You will need to chip away each day until you find the right work/life balance for you. What works for me and my family might not be right for yours. It's going to take a bit of trial and error, until you are headed in the direction of your desired goals. Hopefully my suggestions have put you closer to finding the balance.

It is easy to become consumed with our businesses that we forgot that they are only an extension of who we are. We are on some level or another deeper than our craft. If you are unsure of who you are without your photography, graphic design, web design or videography business than one exercise I suggest you do is create a vision board.

Stop Editing, Start Living - by Amanda KraftSchedule a “personal day”, listen to your favorite music and day dream about the life you want to live, remove your business from the picture. Simply focus on everything that you want to experience, own and embrace in your life. Take those dreams and put them on paper: maybe you want to vacation in Hawaii during the off season in a little hut on a cliff overlooking the ocean, learn to paddle board, treat yourself to a designer purse, fit into your skinny jeans again. Whatever your dreams are, find photographs that represent what you desire and incorporate them to your board.

Each day, when working at my desk my vision board is within sights and it is amazing all of the “visions” I have included that have come to fruition. Think back to when you started your business and you created some sort of vision for your business from the logo, website style, colors and tag lines. It's time to use the same concept for creating the vision for your life. 

I hope you have found this series helpful to you and that some or all of it has resonated with you. If you would like to learn more, I am here to help you. Feel free to contact me through my website.

I am also giving away one seat to my next Stop Editing, Start Living workshop. To enter, simply follow the prompts below to follow both me and Seshu on Twitter and LIKE both of our Facebook pages. One random winner will be drawn on September 30th.

a Rafflecopter giveaway

Filed Under: Home Middle Right, Photography Business Tagged With: Amanda Kraft, Photographers, Sound Advice, Start Living

Jen Basford’s Fashion Lighting Guide For Senior Portraits

September 16, 2013 by Seshu | Editor & Publisher

As a creative person in business, I am sure you strike that fine balance between craft and commerce. Most of us toil on the craft but forget that what we love doing can and also should earn us a living wage.

I've been listening to a few industry leaders who not only talk-the-talk but also walk-the-walk. Their solution is this: approach your genre of photography with a system in place.

Jen Basford - 3Girls Photography

You see, when you have a process to follow each and every time you photograph someone, you actually gain a creative edge, not lose it. Stay with me for a moment.

Here is what happens at least for me. I've noticed that the more I follow a script or a series of steps consistently, I am able to gain on time which in turn allows me to “play” and be creative even more. It's a win-win scenario that finally dawned on me.

Now, I've found one big stumbling block for photographers is the use of off-camera flashes. When photographers state that they are “natural light” photographers in their website biographies, I have to wonder if they are simply declaring that they: a) do not own a flash or b) do not feel they can learn flash photography because they feel it is too complicated.

For those photographers who wish to specialize in high school senior portraits, it is now even more important to know and use off-camera flash. Why? Very simply your clients are expecting their images to pop and there is really no other way to not only enhance their experience working with you, but also see that the final images are so very different than what their friends in school have received from your competition.

There are lots of resources now to learn flash photography. But there is finally a useful guide book that will walk you through a system to use studio strobes or off-camera flashes, especially if you are photographing high school seniors.

Jen Basford, Edmond, Oklahoma based high school senior portrait photographer is an industry leader in her niche. Not only does she have a busy studio, she also founded Seniors Ignite, a conference for senior portrait photographers. Next year's venue is at the very swanky The Westin Lake, in Las Vegas, Nevada.

Jen is no stranger to Tiffinbox either. You can read her posts “3 Marketing Ideas For Senior Portrait Photographers” or “Are Senior Portraits Your Target Market?”

It is Jen's system that you will learn about in the Fashion Lighting Guide For Senior Portraits. If you ever felt like tapping a pro to ask them “how” they light or pose their high school senior clients, this is the guide book to get. It's available between Monday, September 16th and Sunday, September 22nd. Check the timer below. If you see all zeroes below, the deal is gone and Jen tells me she isn't bringing it back anytime soon (if at all). This isn't some pushy sales ploy trying to get you to buy it. If you feel that you need it after reading this mini-review, I trust that you will jump in and buy it before the buzzer goes off and disappears. So, are we cool?

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Jen Basford's Fashion Lighting Guide For Senior Portraits

In the 71-page Fashion Lighting Guide For Senior Portraits, Jen offers us a peek into over 20 of her go-to lighting setups. She walks you through indoor and outdoor shoots. The guide is peppered with examples of her work, so just as soon as you see a lighting setup, you see a series of examples that show you how Jen was able to accomplish this.

Each lighting scenior includes the detailed setup, a few comments from me on the setup, and several posing ideas using the actual lighting.

The bonus? All of this is also available for your iPhone or iPad, so you could take the guide with you on shoots and refer to it as you photograph your high school senior clients.

Now, Jen's clients are almost all high school senior girls. So in the event Jen publishes an update to this guide, I have just one request: let's see some examples of how she would light and pose high school senior boys as well.

This deal is pretty sweet, but I am going to make it even sweeter for you.

Not only will you get yourself an excellent go-to guidebook, but if you buy it using my affiliate link (that supports this blog), I'll create a private Facebook group where you can upload images you've learned to create from the guide, for individual critiques by me.

You want in? So, here is what you need to do:

1) Buy the guide today for $149
2) LIKE the Tiffinbox Facebook Page
3) Forward me your receipt (showing your name)

I'll add you to the exclusive group. Please note that I need at least 10 people to sign up before the timer goes away. And, the learning can go on! How does that sound to you? Sound off below!

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Buy the Fashion Lighting Guide For Senior Portraits Now!

Filed Under: Lighting, Photography, Reviews Tagged With: Fashion Lighting, Flash, High School Senior Portraits, high school seniors, jen basford, Lighting Guide, Photography, School Seniors, Senior Portrait, senior portrait photographer, Senior Portrait Photographers

“Everything I Know”: Clarity, Meaning And Changing The World

September 13, 2013 by Seshu | Editor & Publisher

Paul Jarvis is the web designer behind Danielle LaPorte, Justine Musk and Alexandra Franzen‘s web sites. If you visit each of those fine establishments, your jaw will drop. At least mine does. Paul is also a writer. You can check out his books here.

Paul publishes a newsletter which I rather religiously open every single time and read it because I personally like his restrained or minimalist style. His approach is often matter-of-fact, based on his experiences as a designer and might I say, a thinker. Just about everything he produces feels mindful and almost precise.

In one of his recent newsletters he offered to make some time to speak with blog publishers about his new ebook called “Everything I Know.” Unlike his other book projects that were self-published and were offered only as electronic downloads, “Everything I Know,” is going to be produced as a hard-cover book if his Kickstarter campaign meets its goal of raising $20,000. That he is well beyond the half-way point right now tells you a little something about this project. People want to see “Everything I Know,” in print.

Paul Jarvis: Everything I Know

My goal for this book is to illustrate the potential you've got inside you, right now, to do something unique and innovative.

Before he and I sat down to chat, I insisted that he send me a review copy (on the promise of course that I would still support his project). He promptly sent me a 20-page teaser, which I read in about 10 minutes flat. The large font, simple sentences and short (and funny) anecdotes corralled my attention and had me nodding as I quickly turned the pages.

“Your work is a reflection of you, so why no make it something you love?”

Though I have only read a part of “Everything I Know,” I get the sense that it is less a “how-to” type book and more of a “write your own manifesto” type book. If you are spinning your wheels not knowing what to pursue, I would urge you to take a closer look at this book. It may just help define who you are and why you want to do what you do.

For now, let's listen to this conversation I had with Paul about his new ebook project:

“We need more people who make things. Useful and meaningful things that change the world.”

Filed Under: Business, Home Middle Right, Interviews Tagged With: Change The World, Clarity, Paul, Paul Jarvis, the world

How Clients Can Crowd Fund Their Wedding Photography & You Can Market Your Business

September 12, 2013 by Jimmy Moncrief

“Do you think it would be tacky if I registered ONLY with you?”

We had been sitting down over coffee at a local Panera. Going over the logistics of my getting to her destination wedding on a fairly remote island in South Florida. Her wedding was on a Friday and I had another wedding on Sunday back in Tennessee. Before we were even going to discuss photographing her wedding, we had to figure out if it was even possible.

I had rushed out the door with my wedding book samples but without my computer. So figuring travel costs and logistics were left up to my trusty iPhone. Once we got everything squared away, she sat back in her chair and looked at me over her raised cup of flavored coffee. “Tell me about this new business you started. You know… Ciderr?”

As she took a sip of coffee, I was a bit stunned to have heard this question. This bride had definitely done her homework before our meeting, since I don’t advertise my ownership in Ciderr from my photography website or blog.

Ciderr: Crowd Funding Wedding Photography

“How did it start? Where did the idea come from?” Her eyes definitely told me that she was genuinely interested. I normally just tell brides the benefits of Ciderr as it relates to their wedding. This was the first time a bride was asking deeper questions, and without any prompting from me.

So I took a deep breath and started talking.

“I was originally trying to figure out how to do gift cards for my business. I was having too many potential brides meet with me who wanted to hire me but they couldn’t afford me. There had to be an answer for this problem. Gift cards was a logical solution but as I was looking into it, it became a logistical nightmare. Way too complicated, and unappealing to everyone involved.”

“That’s when the idea of a registry came to me. I looked and looked but no one had built anything like it. Weird. So I approached one of my friends who knew way more about business than I did. Once I finished telling him my idea … creating a system for vendors in which brides could register for their products and services (and then their friends and family would help pay for everything), he was really excited about this new project!”

“In the days ahead, my new business partner did an incredible amount of research. Analyzing it from every angle. What he found out put a fire under our butts.”

I looked over at her to make sure I still had her attention or if I needed to go ahead and wrap up my story. She was now leaning forward and I never lost eye contact. I was about to share the statistical data we had found and I was already wondering if I had actually shared too much. Showing all of my cards, giving her too much information, could backfire on me. Her attention seemed to be all in, so I continued.

“The current registry industry was created for an era that only exists in part anymore. It was created for kids just moving out of their parents homes and getting married with literally nothing. That’s just not the case any more. Couples are getting married when they’re older and already established their careers, homes and everything that goes in them. The average age for a bride now is 29 and the groom is 31.”

At this point, she smiled and stopped me. “I’m 28 years old now but when we get married, I’ll be 29. And Jack is 31! Not only do we have everything but we have TWO of everything. I have pots and pans and he has pots and pans.” There was actually energy in her eyes as she continued, “To tell you the truth, we don’t know what to do with everything we do have. We have been having problems figuring out if we should even register anywhere. I think Ciderr is brilliant and I wish I had thought of it!”

Then she dropped the bomb, “Do you think it would be tacky if we ONLY registered with you?”

I looked down at my wedding samples. They were still sitting by my side … unopened. It was suddenly occurring to me that I was about to book a destination wedding using my new registry system alone. She obviously had seen my work online. She’d also seen a lot of other photographers amazing work online as well. The thing that stood out to her the most wasn’t my work (as much as I’d want it to). It was the fact that she could register with me and have her friends and family help pay for my services.

The thing that got me really excited was the statistical data that I didn’t tell her about. $19 billion dollars are spent on wedding registries every year. The AVERAGE wedding, 200 people buy gifts from the bride and groom’s registry. The average gift is between $70 to $100. It didn't take much time to figure out how much the wedding could be worth for me since she was ONLY registering with me. I was not competing with Williams Sonoma, Target, or Bed, Bath and Beyond.

Ciderr: Power of Crowdfunding

Beyond that, she was now becoming my marketing agent for my business. For free. Free advertising. She had a vested interest in telling all of her friends and family about her registry that is fully branded for my photography business. And we set up Ciderr so that once her friends contributed, they’re asked to spread the word about her registry on behalf of the bride and groom! So not only had I turned my bride into a marketing agent for my business but also her friends and family as well!

Ciderr: Marketing Potential

We built Ciderr for this bride I was sitting down with at Panera. And she’s not alone. Statistically, she’s not even an exception. She’s the new average. She’s the girl who’s more mature than her 20 year old counterpart. A girl who would rather have a beautiful wedding album that will last her a lifetime than a toaster that will last her 5 years. We exist to make sure our Ciderr members are ready for this new generation of brides!

Learn more through this explainer video about Ciderr:

Are you ready?

Filed Under: Business, Home Middle Left, Photography, Weddings Tagged With: ciderr, Destination Wedding, Photography Business, Photography Market, Wedding Photography, Wedding Registry

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About Seshu

Seshu creates relaxed portraits of families and high school seniors in Avon, Connecticut. He also leads a successful headshot photography studio in Connecticut, helping professionals from a variety of disciplines project the very best versions of themselves. He created Tiffinbox as a way of inspiring photographers, to create better images and successful businesses. [Read More]

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