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Tony Taafe’s TNT Method For Headshot Photographers

August 19, 2020 by Matthew Hamilton

TNT Method Banner

Tony Taafe's TNT Method

As photographers it can be really easy to put the business and sales side of our work on the back burner and focus heavily on our creative craft. In my quest to better my business, I stumbled across Tony Taafe’s “TNT Method” tutorial. This tutorial is a blueprint for not only bettering your client interactions but it is also helpful in other parts of your business. The tutorial caters to headshot photographers but it can definitely be related to other photography genres (or in fact any business venture!).

In the first year of his photography business, Scottsdale Arizona based headshot photographer Tony Taafe made $60,000. By his third year in business he was making $250,000. Tony is now looking to help other portrait photographers achieve these numbers through his TNT Method which helps to show them how to get there. 

Tony Taafe Presenting On Stage

Tony’s strategy is obviously working for him, and working well. He came from a background in car sales in the UK and had worked for companies such as Audi and Bentley. Over those years Tony won several awards and obviously learned a lot about customer service. As he started his photography career these experiences were clearly beneficial to him as he positioned his product as a luxury one.

TNT Method Facebook Group

The tutorial is divided up into digestible bite sized videos to make running through it a breeze. In addition to the over 2 hour tutorial, you also get access to Tony’s private “TNT Method Facebook” group. The participants in this group discuss all things “sales” in their portrait photography businesses. This group is a fantastic way to keep in touch with other photographers who may have similar questions as you.

I have found that it is a very safe environment to learn alongside like-minded individuals. Inside this group you will hear both success and failure stories from other photographers. This can be a huge help and motivation for how you operate your shoots moving forward. 

Part of the tutorial also includes commentary from world-renowned headshot photographer Peter Hurley. Peter, who has had no issues creating a successful and lucrative portrait photography business, talks about how the TNT Method changed his sessions for the better, and has made him even more money. Seeing two very successful headshot photographers, Tony and Peter interact and talk business in this one tutorial is truly remarkable and a great pleasure to watch. Having someone like Peter endorse this strategy, made this an easy purchase for me to make. 

Peter Hurley & Tony Taafe Shaking Hands

I went through the tutorial and compiled an overview of some of the main chapters. You can decide whether you think it will help you in taking your business to the next level. I know from personal experience, after applying the tactics he outlines in the tutorial, my individual session sales have grown and my clients are more informed of the session process (more on this later). 

Removing Obstacles To Buy:

I am a sucker for comparing the business of photography to the way other businesses are run. I knew I was going to enjoy this section when Tony started out by touching on how easy it is to buy products on Amazon. “Have you ever used Amazon Prime?” Tony says. “What you do is you swipe at the bottom, and a package arrives two days later. It’s easy.” This intro really changed the way I think about selling my photography products.

There is no reason why our products can’t be as easy to buy as the ones that are on Amazon. This is where removing any obstacles to buying our products comes into play! Tony spends the remainder of this video listing ways photographers get in the way of themselves when selling their service. I think there are definitely some things on this list that I hadn’t thought of as hindering my ability to sell before, so it was certainly eye opening. 

Decisive vs. Indecisive Buyers

This section covers the different types of clients you will run into during your sessions. Tony talks about both decisive buyers and indecisive buyers and how to handle each. I had never thought about the different characteristics my clients showed throughout my shoots before. He began to list things that decisive and indecisive buyers will say and how you can know who falls into each category.

When the decisive buyer comes in “they will probably have less outfits and they are going to have a purpose for every single outfit.” Whereas the “indecisive buyer will come in with more outfits than they can carry.” This plays into other behaviors as well. Choosing photos, backgrounds etc.

Knowing if I am shooting with a decisive or indecisive buyer is definitely something I will continue to use to my advantage during my sessions. I feel as though I know so much more about the psychology of my clients purchasing decisions and how to communicate with them as individuals. 

TNT Method Shooting

The Process:

Something that Tony focuses heavily on during the tutorial is the client experience. He mentions simple ways and tips you can use in an effort to improve upon what clients experience. Things like offering your client beverages when they arrive, allowing unlimited time per shoot, and also clearly explaining the shoot process throughout all of your communications with them.

All of these examples add up to show your clients that you really care about them, their experience and they feel that you are taking care of them. 

Putting This To Use:

Throughout the beginning stages of this course I felt as though I really wanted to see the tactics Tony talks about in action. All of what he was saying sounded great but I didn’t know how it could be used in the real world. Luckily towards the end of the tutorial Tony and Peter team up to do a “mock shoot”. They show everything, from when Tony (client) first walks into Peter’s (photographer) studio, to the final image selection process. This quickly became my favorite section of the entire tutorial.

Periodically there are also cutaways to Tony discussing what Peter is doing right and (more importantly) wrong throughout the shoot and sales process.  I found this section to be so helpful as it showed me direct application for a shoot. 

Tony Taafe and Peter Hurley

After watching this tutorial series I am better equipped than ever to not only increase my individual shoot sales but also provide my clients with an overall better experience. Since having taken so much of what Tony talks about and applying it to my photography business, I have without a doubt increased my average session sale.

I have also been hearing many positive responses from my recent clients. They love it! Some reviews clients have left online show that they like how clear the shooting process is laid out on my website and how clear and easy I make it for them in person.

Where You Can Buy Access To The TNT Method:

I believe this tutorial can truly be a game changer for you and can also help improve upon any current sales strategies you may be using. 

TNT Tutorial Offer

The TNT Method with Tony Taafe can be purchased directly on the Headshot Crew website. Please note, you will need to have or sign up for  a free or paid account on the Headshot Crew in order to purchase the tutorial which can be had for $249.

Are you currently using any specific sales strategies for your business? Have you implemented any of the tactics talked about in this article? Let me know in the comments as I would love to talk about what is and is not working for you! 

Filed Under: Business, Education, Guest Post, Home Middle Right, Sales Tagged With: a system of sales, headshot photographers, Peter Hurley, sales for headshot photographers, TNT method, Tony Taafe

Food Photographer Lisa Nichols’ Personal Photo Project: “Take Out Only”

June 24, 2020 by Seshu | Editor & Publisher

Who Is Lisa Nichols?

Lisa Nichols is a Manchester, Connecticut based food photographer who travels throughout the state on assignment for various publications.

In addition to shooting for publications, she runs two businesses: food photography at Bread & Beast Photographer and wedding photography at RootsPhotographyCT.com.

During the current COVID19 pandemic, she has been working on two personal photo projects:

Take-Out Only which focuses on how the pandemic is affecting the food service industry and Thank You Notes, documenting the displays of gratitude to first-responders and the people who made them.

Interview

Lisa sat down to chat about her project, Take Out Only, a couple of weeks back. Please give this podcast a listen.

Take Out Only, The Project

Here are a few photographs from Lisa Nichols' project, Take Out Only:

Take Out Only

Take Out Only

Take Out Only

Take Out Only: Food Photographer

Take Out Only: Food Photographer

Take Out Only: Food Photographer

Take Out Only: Food Photography

Take Out Only: Food Photography

Where Can You Find Lisa Nichols?

Find Lisa Nichols on Instagram:

Personal Work | Bread & Beast | Roots Photography

Enjoying The Podcasts?

With Lisa Nichols' podcast, I'm at number 15 now. I'm definitely getting better at both asking questions and putting the shows together. If you are enjoying the podcast would you do me a favor and drop me a 5-star rating and a short review of what you learned from one of the shows.

While I say Lisa Nichols is the first food photographer on Tiffinbox that wasn't 100% true! One more food photographer for you check out – Simi Jois!

Filed Under: Home Middle Right, Interviews, Photo Projects, Photography Tagged With: connecticut food photographer, covid-19, covid-19 pandemic, food photographer, food photography, lisa nichols, personal project, take out only

A Cinematic Narrative Photographer’s Fresh Take On The World

May 24, 2020 by Seshu | Editor & Publisher

Who is Aakaash Bali?

Aakaash Bali is a cinematic narrative fine art photographer, based in Long Island, New York.

After pursuing a pre-med tract in college, he opted to go into political science and law, before fully embracing photography.

“I essentially gave up a law degree to chase my passion,” he said in a text message after the interview.

Speaking With Aaakaash Bali

What Does Cinematic Narrative Look Like?

Dinner On Fire

Fire In The Kitche, Cinematic Narrative Photography

Reaching For The Door

Waiting By The Pepsi Machine, Cinematic Narrative Photography

Walking In The Dark

Woman, Bathed In Orange Light

Woman In Blue, Cinematic Narrative Photography

The Shadow District

Initially, The Shadow District, “was born out of a need for peace, quiet, and time for myself,” says Bali.

After the interview I admited to the following:

In all your work (yours, Crewdson's, Woodman's and Hamilton's), there is a sort of sadness that lingers in each frame.

To that Bali responded with the following:

The sadness creates that heavy “substance” that I believe is something human nature craves. For the same reason we enjoy watching drama films, or tragic films. It isn't so much that we crave the sadness, but we crave the substance, the “weight”.

The Shadow District

The Shadow District

The Shadow District

The Shadow District

The Shadow District

Please be sure to check out and buy Aakaash's amazing photographs!

Learn more about The Cinema Experience.

Follow Aakaash Bali on Instagram. You'll also find Shadow District on Instagram.

Photographers Mentioned

Gregory Crewdson

Nicky Hamilton

Kate Woodman

Movies Mentioned

The Grand Budapest Hotel [Aff]

The Shape of Water [Aff]

Gear Mentioned

Fujifilm GFX 100 [Aff]

Sony A7rIII [Aff]

Godox AD600 [Aff]

If you enjoyed this podcast, would you please give it a 5-star rating and write a short review on iTunes? I would greatly appreciate that. Thank you!

Filed Under: Home Middle Right, Interviews, Photography, Podcast Tagged With: aakaash bali, cinematic narrative photography, dramatic lighting, Fine Art Photographer, fine art photography, gelled strobes, long island, medium format photographer, New York, night time photography, photographer, Street Photography

Landscape & Nature, Dr. Paul Hetzel’s Second Calling

May 21, 2020 by Seshu | Editor & Publisher

Dr. Paul Hetzel wasn't always a landscape & nature photographer. He retired from a medical oncology practice in Springfield, MA, and found his second calling.

He and I talked about the power of printing one's own photography and how he has found a wonderful group of fellow photographers in the Photo Arts Xchange, an event hosted by Connecticut photographer, Steve Sherman.

Another important point that Dr. Hetzel makes in our chat is the importance of looking in one's own backyard for “travel” photography. In other words, you don't have to travel too far to make great photographs.

What challenges Dr. Hetzel the most as a photographer? What can make or break an image? Listen to the podcast below to find out!

Interview With Nature & Landscape Photograher

Photographers & Events Mentioned

Here are the links to some of the photographers and events mentioned in the podcast:

Jack Holowitz
Steve Sherman
Photo Arts Xchange
Charles Cramer
Freeman Patterson
John Sexton
Michael Kenna
Jack Dykinga
Justin Black & Visionary Wild
High School of Commerce (Clubs)

Sample Of Paul Hetzel's Portfolio

Landscape & Nature: John Day Fossil Beds

Landscape & Nature: Pemaquid Point Slo Mo Surf

Landscape & Nature: Pink Sunset Valley Of Fire

Landscape & Nature: Spring Flood Oxbow

Sunset Mono Lake Glamour Glow

Speaking of landscape photography, years ago, I hosted a guest blog post by Brett Stoddart about being an Urban Landscape photographer. Check that out.

Paul Hetzel's Camera Gear

Nikon D850 [Affiliate Link]

Sony RX10 III [Affiliate Link]

Filed Under: Home Middle Right, Interviews, Photography, Podcast Tagged With: digital photography, landscape photographer, landscape photography, learning photography, making prints, massachusetts, medical oncologist, nature photographer, nature photography, photo arts xchange, photo inspirations, pursuing photography, springfield

As A Travel Photographer, How Do You Connect With People?

April 29, 2020 by Greg Thomason

Being The Calm Travel Photographer

I had the Maasai warrior posed right where I wanted him. He looked strong and confident as he stood on a rock, with the Kenyan grasslands spread out behind him. I made an environmental portrait. It was time for my bread and butter, the close-up portrait.

As I exchanged cameras in my shoulder bag, the camera with the 24-70mm lens slipped from my grasp. The warrior and I watched as it hit a rock, bounced off, and struck another. I picked it up and did a quick check.

Both camera and lens were down for the count. I hid the shock I felt, put it away, and went with my second body and a 70-200mm lens. He looked at me and asked, “aren't you worried about your camera?” I replied, “of course I am. However, this is the only time I will ever have you in front of my camera. The broken one will wait.”

He gave a sly smile, and we made some memorable portraits.

Later, the young warrior approached me and asked if he could give me a Maasai name. The warriors named me “Malubo” and explained it meant I was “the calm one.”

Following the incident, the portraits I made had a more reliable connection. They knew I respected my time there, and our bond became like a chain connecting us. I may not always stay calm, but I will forever cherish the name, and the time spent with the Maasai.

Greg Thomason: Travel Photographer

© Greg Thomason | https://gregthomason.com

Connecting With People

As a headshot and portrait photographer, I know how important a connection with your subject can be. Often, the relationship is what makes the difference in a technically sound DMV photo, and a photograph with meaningful expression.

Developing a quick relationship with my subjects in the studio has made me better at connecting with people as a travel photographer. However, if you don't photograph people as often, you can still practice.

Make portraits of friends, and practice getting them comfortable in front of your camera. Then go to a busy area in your town or city and approach a few interesting people for a candid shot. I have found if you can approach someone in your town, you certainly can when you are the tourist.

Do You Change The Scene?

I hear travel photographers say they don't want to affect the scene. That's ok for them, but I welcome the interaction. My feeling is that we already change the scene with our presence. Human nature is almost universal. Social norms and culture can influence actions, but human desires are always present. Humans want to be respected and acknowledged.

There are few times a photographer has little or no effect on the subject. One is when the subject doesn’t know the photographer is present.

Other times are when the subject is distracted by intense concentration, such as war or sporting events. I believe almost every time the photographer changes the scene just by being there. That goes for news, documentary, and travel photographers.

Greg Thomason: Travel Photographer

© Greg Thomason | https://gregthomason.com

A Few Examples

Does the protestor become more emboldened by the press on-site?
Does the researcher become more self-conscious by the subject's presence?
Does the woman in the market hold herself differently at the presence of the travel photographer?

I believe the answer is almost always yes. That is not to say the subject's behavior is radically influenced, but it is. If we photographers affect the scene, why not do it positively, both for those we photograph and for ourselves? How do we do this as a travel photographer?

Add A Little Humanity

First, treat everyone as a human worth your time. Remember, your subject is a person, not a zoo animal. Acknowledge them with a wave, head nod, or greeting. A common language is not required.

Learn The Language

Speaking of language, learn a few words in your subject's native tongue, even if most speak your language as well. This approach helped with some kidding around when I told a Samburu warrior to look brave, like a lion. We had already been joking around, so he cracked up laughing when I took the photo, looked at the back of the camera, and told him in the Samburu dialect of Maa he looked like a warthog.

Do things to endear you to your subjects. Language and respect go a long way here. However, in the right context joking around can bring you closer. I have attempted to sing along with Samburu tribesmen. I won't be winning any singing awards, but the tribesmen asked me to come back and camp in the village. Be vulnerable; after all, you are expecting your subjects to be.

Know The Social Norms

Of course, research is essential, as it is with any photography. You must know the laws, as well as the social norms, of the locations you visit. Know whether or not certain hand motions are offensive. Look into what extended eye contact may mean. Look into how to greet, and act around, the opposite sex.

Especially in cities, make sure you know what might be off-limits to photograph. I thought I did but ended up getting detained in N'Djamena, Chad, when I took photos in a crowded market. That's another story, but it all turned out ok.

Pay attention to how the locals greet and act around each other. How do they stand? If they stand inside the personal space you are used to having, be prepared. Hugs and kisses are standard in some places. In others, hugs are solely for same-sex greetings only. Know the norms and be ready for them.

Greg Thomason: Travel Photographer

© Greg Thomason | https://gregthomason.com

Respect People's Wishes

Expect many people to say no when asked if you may take their photo. I haven't run into a situation yet where getting the photograph was worth not respecting the person's wishes (I'm not a journalist, so missing a shot doesn't impact me negatively). Show respect and patience, and you may be rewarded with travel portraits that reflect a special connection with your subjects.

As a travel photographer, these connections make the difference between a snapshot that documents where you went and a photograph that reflects a human connection worthy of a place on your wall!

Is travel photography your calling?

Filed Under: Guest Post, Home Middle Right, Photography, Travel Tagged With: connecting with people, environmental portraits, global trekking, greg thomason, Photographing People, seeing the world, travel for pleasure, travel photographer, travel photography, world travel

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About Seshu

Seshu creates relaxed portraits of families and high school seniors in Avon, Connecticut. He also leads a successful headshot photography studio in Connecticut, helping professionals from a variety of disciplines project the very best versions of themselves. He created Tiffinbox as a way of inspiring photographers, to create better images and successful businesses. [Read More]

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