Today's guest blog is by Dan Watkins, a widely-published photographer based in Boston, Massachusetts. He is a frequent contributor to the Improper Bostonian. Follow him on Twitter.

I was recently on-location at a Boston restaurant, photographing some food to accompany a magazine piece, when the manager struck up conversation. He reminded me that, when scheduling the shoot, I had mentioned only needing about twenty or thirty minutes to photograph. He then said he was ‘curious' to see what I would produce in such a short time.

The word curious appears in quotes because the tone in his voice led me to believe he actually meant ‘skeptical'. After talking with him more, it turned out most photographers the restaurant had worked with previously did produce great images, but either took a really long time doing so or used so much lighting equipment and modifiers that it became a serious disruption to the restaurant's customers and staff.

This conversation made me realize that there must be something to the adages ‘keep it simple' and ‘less is more' – even when applied to photography. So how can one keep it quick and simple on shoots?

Plan Ahead

My 20-30 minute estimate was based on the fact that we would only be shooting one or two dishes and that I was going to shoot predominantly with available light (adding just an off-camera speedlite if necessary). Since I knew the dishes would need to be prepped, cooked and plated, I also knew I could use that time to check out the location, look for a few good angles to use as backgrounds, and start setting my camera and flash accordingly. I was confident that a half hour would be more than enough time to get plenty of options for the magazine.

Minimize Lighting Gear and Utilize Available Light Instead

There are instances where shooting with ambient light rather than relying heavily on additional equipment is okay. Sure it's fun to see what sort of stylized images you can create with a four-light or more setup, but that might be something better suited for personal work instead of a client shoot in a public space. Just because you've grown an arsenal of lighting and modifiers doesn't mean there's anything wrong with leaving them home and going back to basics now and then. Less equipment also means less to go wrong, allowing you to focus more on making great photos!

Know How to Control The Available Light

Using ambient light as a main light source isn't enough if you aren't sure how to make it work for you. Pay attention to the quality, color and direction of the light on location and use it to your advantage. For example: using your aperture to control how warm or cool a space lit with tungsten appears on camera, or angling subjects so windows behind them or to the side provide a nice rim-light to separate them from the background.

Trust Yourself

Many photographers are far too critical of themselves. While this mentality might have its advantages while editing down a portfolio, for example, it usually doesn't help while on a shoot. Part of the reason a client hires a professional photographer is for their eye. They trust you have the confidence to portray their subject effectively, and so should you.

Know When You've Got The Shot and Move On

Gut feelings play a part in other aspects of professional photography – from what clients we choose to work with, to negotiating creative fees – so there's no reason to ignore them on a shoot. If it feels like you've got the shot, you probably do. It's easy to feel the pressure to over deliver and keep photographing a subject from every possible angle to ensure the client has many options. Most clients, however, prefer choosing between a few really strong images to narrowing down hundreds of minor variations.

While I hadn't even considered my minimal gear and fast-paced process on similar shoots before this conversation, the simple and quick nature of the session was not lost on the manager. In fact, as soon as I finished he asked about my availability and interest in coming back to photograph for the restaurant.

None of this is to say you should always rush through your shoots. Nor should you leave your strobe kit packed away long enough to gather dust. But knowing when and how to work quickly and simply to bring out a location's most flattering light, as well as having the confidence to know when you've got the shot and wrap things up, are definitely attributes that some clients will notice and appreciate.

This is a guest post by Scott Webb, a photographer based in London, Ontario Canada. Through photography and art, he believes that we can avoid and fight depression and mood disorders. He gets out of bed everyday to challenge the mediocre through the lens of photography.

Every week there are a massive number of articles posted relating to photography. I want to present some that help me out and could help you out too. Tiffinbox is growing as a great resource for photographers and the weekly round up is intended to build upon that momentum. This being the first week for the photography round up, I’m testing the waters and the topics are very malleable.

The format of the helpful photography round up will take some time to mold, but the intention is always to help photographers with a place to come and be presented with content they may not have come across during their busy days of the week. The topics included within such a round up related to photography are anything from photography tips, marketing, business, inspiration, and showcasing. Forgive me if this first week feels a bit scattered.

Here are some of the best articles I have read in RSS subscriptions this week, stumbled upon, or caught in my twitter stream and retweeted on @scotty_webb.

Tips & Technique

• 5 ways a photographer can take advantage of using long lenses when it comes to portrait photography
• A helpful interview that will help you learn to shoot challenging food photography
• Rad approach that says to forget about focusing on your subject – great right brain thinking.
• How it's possible to use a normal lens for macro photography – why not!

Thought Provoking

• Is photography an art? You tell me in: Beyond Craft – this is a great insightful exploration within the photographers mind.
• Better start to think about what your portfolio is revealing about you – is it good or bad news?
• 5 points a photographer should consider related to watermarking photographs – helping or damaging?
• How much time do you spend keeping up with industry trends and cutting edge info? – might be time to start chasing

On Tiffinbox!

• Photographers: do you have a photographic archive? – be good to your archive and it will be good to you
• How success comes from your photographic vision – as the world of photography democratizes before your eyes you'll need to craft a vision

Introspective

• It's not too early to start some reflection and plan for 2011 – start looking within for next year.
• What type of photographer do you see yourself as? – become the observer and step back.
• How a photographer struggles with the vision for a photography business – labels and being defined by what
Offbeat
• Customize your Pentax with lego blocks and skins – have the coolest camera in your city
• NASA releases images for creative commons – check out NASA's vast collection of photographs

Showcase!

An amazing photography project – Our Secret Selves.  The artist looks at identities in the pockets and purses of strangers. Beautifully inspiring!

Want To Be Featured In A Helpful Photography Round Up?

Looking for some Tiffinbox link love? Articles featured in the resources come primarily from people I interact with in social networks and comments! So comment your heart out and add me to your social networks.  If something you share catches my eye, it may appear here on Tiffinbox.

A word from Seshu: Scott Webb and I have never met. Yet, here we are collaborating on a weekly post. That's the beauty of the Internet. Scott, who is very active on Twitter has generously offered to collate and post links to some very interesting articles about photography on a weekly basis. I used to this way back when but it's always great to have a second pair of eyes scouring the net to bring you useful, informative and sometimes amusing stories. Here is Scott's first foray into guest blogging on Tiffinbox.