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Photography Concentrate: Why We Teach?

April 29, 2010 by Guest

Rob & Lauren AvatarThis is a guest post by Canadian photographers, Lauren & Rob Lim, whose spirited wedding, portrait and travel photography is the talk of the town.

At the moment in the wedding photography industry there is a bit of a backlash against educators. Whether deserved or not is up for debate, but it certainly has resulted in a lot of discussion about those who make money from teaching.

As we can be considered educators ourselves (have been quite happily teaching other photographers for over 2 years), and are now moving towards doing it more, we thought we’d give a bit of insight into why we teach.

To understand where we’re coming from, I’ll give you a bit of background on us. We weren’t the photographers who grew up with a camera in hand. Our interest in photography didn’t come until we were 19 and 21, during a requisite backpacking trip through Europe. As I’m sure has happened with all photographers out there, we instantly developed a very strong passion for creating photos. But, we knew absolutely nothing about the art. Nothing at all. Being rather young, we didn’t see that as any sort of hindrance, and began the process of teaching ourselves this craft so that we could become professional photographers.

Romantic Kiss On A Boat, by Rob & Lauren Lim
That naivety allowed us to pursue our goals without any thought to whether it was even possible. And, thankfully, we simply made it possible. But it didn’t happen without an immense amount of time spent learning, reading, sifting through dozens of articles, and making a ton of mistakes along the way.

What we found, after years of self-teaching, was that the number of high quality and affordable resources out there for photographers was a lot smaller than we would have imagined. Sure, there are countless forums, blogs, and articles that you can find for free. But many of them offer differing opinions and ideas (though all too often they don’t see them as opinions, but rather as fact! That makes it even more difficult for a new photographer to understand what to do!). They also take a lot of time to go through, compile information, and try to process it in a way that works for the individual. It’s not easy or fun, and often it’s just downright overwhelming! I fear that a lot of people likely give up, simply because the task of finding and digesting high quality information is just too difficult.

Man On A Bicycle, Ho Chi Minh City by Rob & Lauren Lim
Furthermore, many resources are currently being offered for very high price tags. Often upwards of hundreds of dollars (thousands if we’re talking about workshops). While there’s no way for us to decide whether those are worth it, we do know that they are far outside the reach of many photographers. Photographers on average aren’t rich people. They often have budgets just like anyone else, and many are left unable to purchase the tutorial they’d like, or going into credit card debt to attend the workshop they think will solve their problems. We were deeply unhappy with that approach. We strongly believe that teaching should be to help others, not yourself. With that in mind, we made a commitment to offer our education at prices that anyone could afford, including students.

Back to how we became educators! The more we learned, the more we found ourselves trying to help other photographers. We’d have colleagues over to our home to spend some time teaching them a new program or technique. And, time and time again, we’d find ourselves teaching the same material to each person. We were happy to be helping out that individual, but knew that there had to be a more efficient method.

The next logical step was, of course, to figure out how to get that information into the hands of the most people possible! So we created Photography Concentrate, a website dedicated to high quality, affordable information. We initially thought about writing e-books, but as soon as we began to plan for our first tutorial, all about RAW processing, we realized that books aren’t always the best way to learn for most photographers. We’re visual people by nature, so learning likely happens best in a visual manner! Thus began our foray into video tutorials. We’ve just completed our first one, and are hard at work at the next. We’re so excited about the possibility of helping photographers all around the world to learn to take control over the programs we rely so heavily on.

Which brings me to the final thought: Why We Teach

It’s pretty simple, and we can boil it down to one idea: we teach to help photographers acquire the skills needed to fully realize their artistic potential.

All the people we teach have their own incredible creative talent. We don’t need to teach them that. We simply want to help them unlock it. We believe that having a strong foundation of technical knowledge is the first step on that path, so that’s what we intend to share!

Kristin & Michael by Rob and Lauren Lim

With RAW Processing Concentrate, our tutorial on editing in Lightroom, we’re hoping to help photographers improve the final look of their images. Very often we see an incredible shot, with great composition and vision behind it, but the processing falls short, and the image fails to reach it’s full potential. Processing is just one step in the creation of a great photograph, but it’s a hugely important one. Many photographers currently rely on pre-made actions and presets to process their images. These will certainly make you faster, but we don’t believe they will make you better.

Life as an artist is about growth and exploration, and one needs knowledge to achieve that.

If you’d like more information about our tutorial and teaching adventures check out Photography Concentrate.

Photography Concentrate By Rob & Lauren Lim

Filed Under: Education, Photography Tagged With: Education, Learning, Photography, Tutorials, Video, Webinars

Selina Maitreya’s The View From Here: Tiffincast, Episode 1

April 14, 2010 by Seshu | Editor & Publisher

Back in January, I posted about Selina Maitreya‘s audio program for serious photographers: The View From Here.

If you haven't had a chance to read it, I suggest you go there first and then come back here. It's a quick read and it will outline why you may want to buy this MP3 program for your photography business.

Recently, I had a chance to speak and record Selina (who now has an amazing blog called OneView). What you will hear below was my first attempt at recording a podcast (go easy on me will ya?), but the takeaway from it is still very good.

So, hit play, sit back and relax as you listen to Selina Maitreya talk about her background as a photo consultant and why she launched The View From Here for photographers like you and me.

Remember to use the code: FOSSES to get it for only $99 (original price is $199).

Full FTC disclosures: I received a complimentary copy of the entire program from Selina Maitreya. That, however, in no way alters my perception of it being a stellar product that you will find useful. If you use the code supplied above, I do receive a minor affiliate commission (enough to keep this website going every month).

[podcast]http://www.tiffinbox.org/tiffincast/042010/selina-maitreya-the-view-from-here.mp3[/podcast]

Did you like this podcast? Would you like to see/hear more from other photographers? Please let me know in the comments section below. I look forward to hearing from you.

Filed Under: Audio, Education, Marketing, Photography, Visual Art, Workshops Tagged With: Art, Audio, Education, Learning, Photography, Photojournalism, Selina Maitreya, The View From Here, Visual Communication, Wedding Photography

Make Your Photos Sing (Part I)

April 13, 2010 by Guest

Phil Mackenzie avatarThis is a guest post by Phillip Mackenzie, a Pennsylvania-based wedding & portrait photographer.

When people hear that I have three degrees in music and I’m now turning to photography, they often give me a quizzical look and ask why I would make such a drastic change. I don’t think it’s all that drastic, in fact, images and music are far more intertwined in their compositions and affectations than you might think.

Imagine this.
You’re out somewhere and a song starts. The infectious beat creeps into your body and your foot starts to move involuntarily, tapping to the rhythm. Something deep and primal infects you, and when the song ends you just want to hear it again! Any music that ellicits this sort of reaction is “get up and dance” music. This is opposed to “sit down and shut up” music that tends to be more cerebral than emotional, and demands your utmost concentration and thought to understand, just like some photography.

Music is everywhere. And it dares you not to pay attention.
Music is one of the most powerful forces in existence, isn’t it? Plato thought so. For millennia, people have danced, kissed, fallen in love, cried, got angry about, even gone into battle to a soundtrack. There’s an immediate, gut-level reaction. For instance: you either love or hate bagpipes. I’ve never met anyone who was indifferent. (And if you are, I’d love to meet you!) If you love them, there’s no more rousing sound than the pipes and drums of the Royal Scots Dragoon Guard. If you detest them, you want to rip off your ears.

Images have power too.
Images can elicit the same gut-level reaction, be it positive or negative. Jill Greenburg’s series of portraits called “End Times” is provocative. Your opinion is immediate, strong, and gut-level. Has time ever escaped you as you’ve taken in an image? The same reason you can’t get a song out of your head is the same reason you can’t stop looking at a photograph. While I can’t really explain the magic “why” of everyone’s gut reaction, I can explain the “how.” When you hear a great song, you play it for your friends, tweet about it, make sure other people listen to it. When our clients see photos that sing to them, they can’t help but spread the word. All of a sudden that one photo (or more, hopefully!) can spread across the entire world like wildfire. If you create images that sing, they’ll do all the work for you. And here’s how to do it.

Break it down.
What was the last photo you saw? What do you remember? Did you feel great joy or desolation? Melancholy? A couple deeply in love with each other? Both music and photography have the ability to capture our emotions and put them into aural or visual form. They do it the same way, just using different vocabulary. Let’s look at the basic elements of music:

• Melody
• Rhythm
• Harmony
• Timbre
• Dynamic

These are the most obvious and affective elements of music, and they are all paralleled in photography. Today we’ll explore the first two, melody and harmony.

Hear the Melody, Be the Melody. (The Obvious, In-Your-Face Part)
When I mention a song to someone and they tell me that they don’t know it, I respond with “Oh, you know, the one that goes like this…” and then I hum or sing a few bars of the melody. Strictly speaking, the melody is the theme, the single most recognizable part of a piece of music. Usually it’s the first thing you recognize about a tune (sometimes it’s the rhythm, but more often than not you still can’t be sure until you hear the melody). Melodies are amazing creatures; they can carry emotion and meaning even without words. When there is a lyric, though, the melody serves as the structure by which we remember the words. Don’t believe me? Try to recite the lyric to your favorite song without thinking about the melody…it’s a challenge! It functions in the same way as the subject of your photograph. It is the most basic, in-your-face element of an image. Look at the following image for 5 seconds or so, then close your eyes and see what you recall about it.

Melody - Portrait

I’ll bet the first thing you remember is the girl’s incredibly bright and engaging smile. You might also recall the supporting color palette, and the contrast her hair color makes against the grassy background. All of those background details play a supporting role to her face, particularly the smile. This is the difference between melody and harmony. While you can distinctly remember a melody, the harmony tends to collect itself into large blocks or swaths of color or texture. While her smile may seem distinct in your memory, you may just recall the generally bright green color surrounding her without the various yellow leaves, and you’re not likely to remember the exact position of her left hand or even how curly or straight her hair might be. Melody. It’s what you remember.

Harmony: The Enabler. (The Bricks and Mortar of Music and Images)
If the melody is what you remember, the harmony is what helps you remember it. It’s what enables the melody to live and sing to our ears. It’s the rest of the Sistine Chapel ceiling that isn’t God and Adam. It’s the parts of New York City that aren’t tourist attractions. It’s the rest of the cast of a movie or a musical. In one-man shows, there’s always a supporting character even if it’s just the actor doing a different voice or personality (think Smeagol/Gollum in The Lord of the Rings), or speaking to an inanimate object like Tom Hanks did to his volleyball in Cast Away.

If I think of my favorite song, I might not be able to remember specifics about the harmony, but I can remember the “chunks.” In fact, it’s often incredibly difficult to sing a tune without hearing the harmony (either externally or in your “inner” ear). All you have to do is watch the auditions for American Idol for 5 minutes (or even 30 seconds) and you’ll hear that it’s quite difficult, and for some, impossible, to sing something without an accompaniment. Any time Randy Jackson tells them that their singing was “pitchy,” it would probably have been better with someone playing the harmony. Then again, if everyone sounded good with the harmony behind them, karaoke wouldn’t be any fun!

Think of your favorite song. Can you hum the harmony? How much about it can you remember? A melody can be made or destroyed by the harmony. In photography, the harmony could be called many things: the background, visual palette, scene, or frame to name a few. It’s the stuff in the image that’s not your subject. For a bridal portrait, the harmony might be a bright, vibrant, out-of-focus background and a bouquet.

Harmony - Portrait

Getting even more specific, the subject might be so small as just a person’s eyes, and everything else, including the rest of their body, becomes secondary. A fine example is Joe McCurry’s famous “Afghan Girl” (if you don’t know it, Google it now)—her indescribably hypnotic eyes are without doubt the focal point of the image. But without the rest of the image – her clothing, the framing, the green wall in the background that oddly matches her eye color – her eyes aren’t nearly as spectacular. The melody might be her eyes, but the harmony is the rest of the image. Nothing in that photograph is unimportant. Every element is there as part of the melody or the harmony to support it. Her eyes sing in that photograph and draw you in to see more.

Stay Tuned.
In Part II, we’ll look at the other elements and how all of them work in collaboration to produce a truly memorable song or spectacular image.

Filed Under: Art, Music, Photography Tagged With: Art, Music, Photography

My Digital Photography Workflow In Twitterese

March 24, 2010 by Seshu | Editor & Publisher

This is a fun little blog post about my ideal digital photography workflow, using Twitter links.

A potential clients calls and I check my schedule using @Setster. I manage my booking & contracts using @ShootQ. I photograph the wedding with @NikonUSADotcom cameras & lenses & strobes. Then I download my @SanDisk CF 8gb or 16gb cards with their speedy FireWire CF Card Reader. Next, I view and edit all images using @PhotoMechanic. I bring all the selected images into @Lightroom. Using @Quikeys or @RPGKeys to enhance the images using @KubotaTools & @GetTotallyRad presets. Retouching images is next using @Photoshop actions from @KubotaTools, @GetTottalyRad, @randykepple, @jeshderox. I then export the images as JPGs to @Pictage (where they are archived and delivered to my clients in a password protected gallery).

For album orders, I import those images that tell a story into @PhotoJunction album designs. I create layouts of my client's album using @Qbyfeed and other self-designed templates. I transfer all my layouts via @panic‘s Transmit FTP client to one of the following album companies: @visionartbook @Kissbooks @queensberrynz @loktah @cypressalbums @BlurbBooks. When I receive the albums, I package the wedding albums using @myjoliewraps and ship them to wedding clients via @UPS_News.

If I think of anything else I can add, I'll come back here and update the post. By the way, my own Twitter account is – @picseshu. Go on, follow me!

Why don't you list your chosen workflow using Twitterese in the comments section below? Tell me what you think?

Filed Under: Uncategorized Tagged With: Photography, Twitter, Twitterese, Workflow

Links For February 20, 2010

February 20, 2010 by Seshu | Editor & Publisher

Been a while since I posted some interesting links that I have come across. Let me know if you want me to continue posting these in the comments section. Thanks!

Jack Hollingsworth – A terrific photographer, social media guru and Twitterholic (like me)

DesignAglow – A webmagazine, a blog, a store with drool-worthy tools, actions, marketing materials … I could go on. This is like Mecca for me. And the lady behind it – Lena Hyde

Photofocus – Scott Bourne's blog about all things photography

The Digital Journalist's Handbook – for those still remaining as journalists, I suppose

25 Beautiful Examples of Action Sequence Photography

Tangents – Neil van Niekerk's excellent flash photography website

HDR Tutorial – Everything You Need To Know About HDR Photography

BlogStomp – If you ever wanted to brand or watermark your images before you publish them online

TK Business & Design – If you are a photographer who runs a business, you may want to check this site out for forms, accounting tips etc. It's an amazing resource.

Photojunction – I am checking out this FREE software for all my wedding photography album designing needs. Learn to use Photojunction from these Vimeo videos

PhotoTuts+ – A plethora of photography tutorials

ThemeSnack – Want a slick looking WordPress theme? This might be the place to start. There is also WooThemes and ThemeForest to check out

Filed Under: Uncategorized Tagged With: Links, Photographers, Photography, Tips, Tutorials

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About Seshu

Seshu creates relaxed portraits of families and high school seniors in Avon, Connecticut. He also leads a successful headshot photography studio in Connecticut, helping professionals from a variety of disciplines project the very best versions of themselves. He created Tiffinbox as a way of inspiring photographers, to create better images and successful businesses. [Read More]

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