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Small Business Smarts For Photographers

March 15, 2012 by Jared Bauman

Today's guest post is by Jared Bauman who has built a photography studio in Southern California that photographs over 200 events and sessions annually. In business for a decade, Jared's clients fly him across the world to document their big events. Jared is a Co-Founder and President of ShootDotEdit, the #1 post processing partner for the professional wedding photographer. Known for his business background, Jared has released several educational DVDs and tours the country speaking to photographers about their small business. Follow him on Twitter.

Think Like An Owner

Mention that you’re a small business owner to anyone, and more than likely the response is along the lines of “Wow, you must make a lot of money and have a lot of time off!” Contrary to popular opinion, being a business owner seems to be synonymous with being a jack of all trades and master of none. Being a small business owner is overwhelming, time intensive, and all consuming.

In his book “The E-Myth”, Michael Gerber talks about going to work ON your business, rather than IN your business. By stepping back and watching your business, you learn to develop a system that will work outside of you. Systems don’t make mistakes … Only people do. So by developing a system, you can ensure that your business will run smoothly and effectively, providing the best possible product and experience for your clients.

Think of how much time we waste each day. Imagine if you weren’t the owner of the business … But merely just an employee. What would the owner think of how you spend your time on a daily basis? Are you working just to get things done? Or are you going to work and acting like an owner, working on tasks that only an owner can to grow and advance the business?

Determine the tasks in your business that only you can do. Spend time developing a system at your studio. It takes a lot of effort. But, by creating a manual for your systems and operations, you’ll be on the path to working ON your business, rather than IN your business. And this is where you’ll experience all of the freedom that small business owners dream about.

Efficiency

As small business owners, we are responsible for every part of our business. Most days, we juggle email, phone, calendar, billing, editing, production, IT … All in addition to our busy shooting schedule!

Because of this, becoming hyper-efficient at the tasks we are required to do becomes imperative. If we HAVE to do the task (reference the previous entry for more on that), then we need to perform the task as quickly and efficiently as possible. This is the only way we’ll be able to spend our time growing our business, rather than just operating it.

Here are some great tips for becoming more efficient in your daily tasks:

1) Set up Drafts and Rules in your inbox to handle frequently asked emails. Typically speaking, most of the emails we receive … We’ve answered before. Save your answer as a Draft, and next time you get that same email, copy it over as a response. Add a personalized intro and close, and send it off!

2) Utilize Rules to sort through emails that you can delay for later.

3) Utilize shortcut keys. Apple has a well-developed set of shortcut keys, along with Gmail. Shortcut keys can shave minutes off of your daily activity, but these add up to hours each week. You can see what that adds up to each year.

4) Take advantage of software like Text Expander to further reduce duplicated time.

5) Maximize your usage of a To Do list app, like Wunderlist or Things. Tasks that can be handled quickly (under 2 or 3 minutes) should be taken care of right away. Anything else is placed on your to do list, with a defined due date.

6) Much of this seems mundane and somewhat extraneous. However, if you can maximize efficiency on day-to-day tasks, you leave yourself able to do more of what you love…. And isn’t that what we all got in this for?

Pricing & Packaging

Pricing. It’s often the last thing we think about as photographers. We focus on our website, our branding. We pour over reviews of the latest gear, and try to learn how to light for every situation. Email monopolizes our time, and fulfilling client orders takes up our off days. And yet, pricing is one of the most important pieces of our small business.

Believe it or not, there is actually a science behind Pricing. From the beginning, you should set your goals BEFORE you construct your pricing. Do you know how much you want to work? Do you know how much you want to make? All of these things should be taken into consideration as you construct your pricing.

Confusion is usually the main reason prospective clients don’t book. Confusion enters the picture when the pricing is introduced. It might be confusion through the structure of the pricing, and they couldn’t find a package that suited their needs. Or maybe they were interested in an album, and there were just far too many options. Maybe they didn’t see an engagement session anywhere, it wasn’t in the packages, and they couldn’t find it on the a la carte list.

Simplifying the pricing process gives you a huge advantage when it comes to booking.

Here are a few tips to keep in mind:

1) Have an odd number of packages. This gives your pricing a “natural middle” point, which naturally guides your clients towards certain options.

2) Whenever possible … Less is more! Reduce the number of options available.

3) Don’t show them the whole menu. Save the details for later.

At the end of the day, keep it simple, and remove confusion at all costs. This will ensure you give yourself the best chance of booking the wedding, and working with the couples you really want as your clients.

Filed Under: Business, Photography Tagged With: Business, business background, business owner, competition, educational dvds, human behavior, jared bauman, management, Marketing, owner, photographer, Photographers, Pricing, professional wedding photographer, small business, small business owner, smarts, solid foundation, time management

Professional Photography Is Dead. Long Live Professional Photography!

March 14, 2012 by Dhiraj Kacker

This is Dr. Dhiraj Kacker's second guest blog post here. Read his first post on album manufacturing too. He is the CEO and co-founder of Canvera, an online digital photography company based in Bangalore, India. Dhiraj can be found online on Twitter, his company blog or his personal blog.

This post has been on my mind for a long time as I think a lot about the changing role of pro-photographers in the digital age. But in some ways I got beaten to the punch by a much more spunkier take on the issue by Allen Murabayash, CEO of Photoshelter, on his blog post “Rant: I Love Photography”. Please go read it. My post here will be much more sedate and boring! With that warning, let’s dive into it.

I have much more insight into the market where pros get hired for personal or corporate events (such as weddings, portraits, bar/bat mitzvahs, etc) so I will focus on that and not on commercial, editorial and stock photography which has its own set of dynamics in the digital world.

What do we all hear and say everyday: DSLRs are getting cheap, everyone has a camera, it’s getting tougher to earn a living being a pro! A lot of it is true. Digital Photography combined with the internet and cheaper and cheaper capture devices have made it simpler for all and sundry to take and share images like never before. Unshackled from the physical limitations of film and the cost of taking each picture everyone today can pretend to have some proficiency in photography. There are weekend wedding photographers who are taking business away from full time pros just based on price. There are pro-sumers who are building online galleries, showcasing their work and in fact selling their work.

But here’s the funny thing:

– For the first time in the history of pro-photography we have celebrity wedding photographers! Celebrity status was limited to fashion and editorial photographers, never to wedding photographers. How did this happen?

– Family portraits on the wall look like model shoots today, not just people saying cheese into a camera and accepting whatever came out. Perfect lighting, perfect smile are must!

– Corporate mug shots make management look like celebrities and anything lower quality doesn’t speak well of the company

– I am hearing more and more that right after a wedding date is fixed the first or second service provider that gets booked is the photographer; this used to be an afterthought

– Senior shoots are blurring the line between model portfolios and what was considered just pictures of the teenage years

– Parents want their kids’ sports pictures to look like shots from pro sports

– Never before have engagements & boudoir shoots been taking place in such large numbers. The smart photographers have also created the “trash the dress shoot” as well!

I don’t believe any of this was common a decade ago.

Dhijar Khacker | Pinterest Home Page

So what’s really going on? Let me talk a little from my personal experience. I had a run of the mill point and shoot film camera in the 90s and in 2000 bought my first 3MP digital camera – an Olympus 3000 for a $1000 (yes, a thousand bucks for a 3MP P&S camera). I remember the excitement of getting pictures back in the film world and just being able to relive those memories was amazing. At the time the pictures looked great but today, they look mediocre (and I am being generous). Too much sharpening, probably done by the minilab and too much contrast because of the film I bought. And of course I had no eye for composition or lighting. Initially I really liked my P&S digital camera – it was quite simply the excitement of digital. But my appreciation of photography kept going up and at some point that quality was just not good enough.

After my first kid was born, I finally invested in an SLR and for a few years managed with the default lens. And then I got fancier with the lens. It is safe to say that today with two young kids I shoot a lot of pictures, but here’s the kicker: unlike in the film world where I did not know any better, I can immediately tell how many decent shots I got. It takes me possibly 100 shots to get one really good one! I don’t have an eye for light or composition, and I rely on sheer volume to get lucky. So much so that on a recent birthday party I did the unthinkable: I called up a pro friend of mine to hire him to take pictures. By playing around a lot I have come to realize just how difficult it is to consistently take good shots. It is kind of like playing sports and developing a greater appreciation for the professional who plays the same sport. Isn’t it true that the omnipresence of little leagues and minors grows the business for the majors?

Here is what is happening: never before have average consumers been exposed to this much high quality imagery – web, mobile, magazines, hoardings, blogs – you name it. The quality of images on Pinterest or Tumblr is just mind blowing. Sub-consciously consumers have developed a greater appreciation for good images. Everything I’ve listed above is happening because of this trend. I believe that today consumers (like me) are experimenting a lot more with photography trying to reproduce the quality they observe. And like me they are coming to appreciate how difficult the art and craft of photography is. So when it comes to important life events (operative words being “important life events”), my prediction is that over the next decade pros will be hired in record numbers. Consumers will be spending in record amounts.

None of this means that things have not changed and pros can simply fall back to what they did in the 90s (which was essentially to build a physical portfolio and get referral business). Like a pro-sportsperson, they have to be savvy business people. I am writing on a photographer’s blog so I know that this audience is aware that from building a brand, to marketing to sales and operations, a pro has to do a lot more; a pro’s life has become lot more complicated. But boy, I don’t think there has ever been a greater appreciation for the art and craft of photography as it is today and I think we are at the start of a golden age of professional photography fueled by the omnipresence of images in our lives.

So, what do YOU think? Pen your thoughts below!

Filed Under: Business, Opinion, Photography Tagged With: camera, dhiraj kacker, digital camera, digital cameras, digital photography, fine art photography, life event, personal blog, photographer, Photographers, Photography, pro photography, professional photographers, stock photography, Wedding Photography

On Chasing Rainbows And Unicorns

March 13, 2012 by David Jackson

This is another guest post by David Jackson, a Wisconsin-based editorial portrait photographer and an international award winning wedding photographer. His first guest post for Tiffinbox was controversial and inspired a lot of debate within the photography industry. I hope this latest salvo also provokes thought and civil discourse in the comments section. Follow him on Twitter and connect with him on Facebook. Read his blog.

As a kid, have you ever wondered why you couldn’t get close to a rainbow? Ever get frustrated over trying to figure out where the hell that little green dude with suspenders left the pot of gold? Yep. That use to be me …

David Jackson | Chasing Rainbows

I never take myself too seriously. And those who’ve met me can attest that much of what spews out of my mouth needs to be taken with a grain of salt and an ounce of humor. I have this uncanny knack for unleashing my opinions amongst the photography community, much to the chagrin of others. As a result I am occasionally met with resistance and the random individual who walks away feeling personally offended by the nature of my tone. Yet at the same time there are others who get me and understand that sometimes we as photographers can take this career way too seriously, especially given the day-to-day stress of freelance entrepreneurship.

In the year long wake of my first guest post here on Tiffinbox, affectionately titled “An Open Letter to a Local Photographer,” I have seen a wide range of emotional reactions to the article. The night before my August 2011 Breaking The Rules workshop here in Appleton, I had the chance to sit down with Seshu over a few beers and talk about it’s interesting and rather impacting aftermath. Throughout our discussion, we talked about the comments left on the post and the cyclical rounds it’s made with both the industry’s newcomers and the seasoned veterans.

The conclusion I made was that for 95% of those who responded were left with a general feeling of self-introspection, the need to step up their game and in some ways, find true inspiration within themselves when the odds seem against them. The remaining 5% of those people clearly didn’t read all the way to the end of the post and prematurely reacted with distain, overall abrasiveness and at times, opted to make personal cuts directed towards me.

The newcomers were able to either drain the post’s intended inspiration or use it as backlash for personal feelings of a romantic camera-toting career void of any foreseeable struggle ahead. The veteran shooters had more middle-of-the-road reactions, yet some looked at me as a ‘newb’ in the industry, trying to forge my path with closed eyes. But I get it. It was either received or rejected. That’s how it was intended; nothing more, nothing less. An honest view of an emerging photographer struggling to find my place in an increasingly over-saturated professional field.

With the explosion of new photographers hitting the market every single day all around us, I occasionally find myself filled with the desire to offer up my unsolicited opinion, not to specific individuals, but rather the general mass of photographers who follow my strategically placed rants.

Kinda like having a crush on your zit-ridden high-school sweatheart; it’s played-out, awkward and kinda gross.

Over the past few years as I’ve kept my eye on the photography industry as a whole, I’ve seen an enormous amount of emphasis and value being placed on disposable gadgets rather than the much needed furthering of our creativity, never-ending need for education, the development of raw talent and successful growth as a business. You know, the stuff that builds an actual career? This whole feeling hit me in the gut this past week as we’ve seen the announcements of some pretty kick-ass and somewhat revolutionary camera equipment being unveiled in the marketplace. If you are a photographer who has spent any amount of time on Facebook and Twitter recently, I’m sure you’ve seen the non-stop updates related to new gear and bad-ass spec sheets, accompanied by an unhealthy dose of gear gushing. Kinda like having a crush on your zit-ridden high-school sweatheart; it’s played-out, awkward and kinda gross.

I suppose you could say this mentality began around the year 2001 when the first prosumer digital SLR’s hit the photography market, drastically changing the way photographers work on a daily basis. Film negatives began transitioning to digital files and computers/software took a front row seat to the darkroom. Back then we all thought this would be an amazing leap forward. But what we thought we’d save with this new digital revolution occurring in the photography world would eventually end up multiplying, costing us fat stacks of greenbacks simply as a means to stay relevant. With this ‘coming of age’, the need to buy faster computers, more hard drive space, better software, larger monitors, higher capacity compact flash cards and gajillionbillion megapixel cameras surmounted. A newfound hunger for the newest and best crap available was, and still is, the name of the game.

As a result, these technological advances have allowed more people to enter the creative industry at an alarming rate than ever seen before. As the ‘ole saying goes, ‘everybody’s a photographer.’ The ways in which we produce our work, ability to reach new markets and seemingly earn a paycheck with a camera looks rather appealing and easy these days. On the other hand, clients now expect dramatically faster turnaround times, put less value in creating honest art and a whole slew of mediocre talent has now surfaced with a website and a pair of shoes.

But the shift I’m seeing is this: We as a whole FEEL we need to stay relevant by purchasing the newest, best gear because we either feel it changes how well we do our job or will drastically boost the quality of our work. And not to mention, all these new gadgets delivered to our doorstep in bright, shiny boxes have now seemingly filled our photographic journey with a false sense of validation.

“I’ve had the same camera for three years now and it’s no longer up to par for the work I need to create for my clients. TIME TO UPGRADE!”

I call bullshit.

David Jackson | Fake Cover Image

I posted the above photo as a fake “magazine cover” to my blog last week. Yep, it was fictitious (read below). The high-res photo is available for all you nerds to download and print HERE.

As much as I would love to get paid my day-rate to shoot this photo for a publication, I did not. I shot it specifically for this blog post using my old 3.1 megapixel Canon D30 (that hit the market in 2000) that I pulled off the shelf at my studio. It was lit with a Canon 580EX speedlight, an AlienBee 400 and a homemade beauty dish.

• Used Canon D30 = $50.00
• Used Canon 580EX = $150.00
• Used AlienBee 400 = $200.00
• Used Pocket Wizard Plus II Transceivers x 2 = $125.00
• Homemade beauty dish = $12.00

I would have rather shot this photo with a Phase One 645DF, P40+ digital back and a few Profoto Acute II’s. I mean, who wouldn’t? Hey, it excites the ladies and gets us hired for HUGE shoots! Instead, being the duct tape dude I am, I opted to use $537.00 in gear lying around the office merely for the purpose of illustrating my point. I could have just as easily shot it with the aging Canon 1D bodies that reside in my gig bag and I still would’ve attained nearly the same results as a $25,000 system.

David Jackson | Unicorn

You could say I’m comparing apples to oranges, sure. That’s the case with comparing the Canon D30 to my Canon 1D. But what about comparing that awful old-school first generation 5D or 5D Mark II, to the new-fangled 5D Mark III? Or what about that Phase One MF digital system that everyone is blogging about these days? The lines of technical differences between gear starts to get very blurry. The D30 in a real world scenario, however outdated, is still relevant and can accomplish a publication job just the same as the rig I walk out the door with every day.

Of course that 3.1 mp D30 is no longer viable in today’s industry, as seen with newer gear that provides better focusing abilities, high resolution for large format printing and nearly noise-free images. Yet when faced with the option to make small incremental upgrades, we can easily fulfill our vision with a three year old set-up that exists in our bag and reallocate our hard earned money to areas within our businesses that both improve our quality of work, builds a marketable portfolio and garners us better paying clients.

So often I see photographers getting caught up in the hypnotic gear-gaze and the lust for expensive toys. And when I hear about a failing business model or a struggling photographer, my immediate reaction is to examine the priorities (or lack thereof) such folks place on themselves in a tough economy. The art and craft of photography are all too often thrown under the bus in order to make way for gear, websites, branding and designer camera bags.

Recently, I took to a local Facebook photography group in which I’m a member and challenged my friend Craig Stodola about gear acquisition. We have differing opinions on essentially disposable goods in the midst of art, but we seem to meet somewhere in the middle. He had the following to say about it:

“As much as I love gear, I don't buy into it lightly. I go into it with a predetermined purpose. It always stems from envisioning a look I want to create and/or a style/manner in which I want to work, then getting the appropriate gear to achieve that vision as closely as possible, and more importantly, with as little effort as possible. It's the opposite of ‘buying small' and trying to cultivate a look/style/method I can create within the limitations of the gear.”

I can definitely align myself with what Craig is saying. I, however, come from the school of thought in which I only acquire and upgrade gear after I have exhausted the use of my current equipment and the need to spend money is solely based on attaining a very specific result. Start simple, buy smart, learn to use what you have and gradually grow into new the stuff. Talent should outgrow your gear.

Until I updated my portfolio one year ago, most of the work on my old website was created using a couple of Sunpak 383’s, a few umbrellas and beat-up Canon 1D Mark II. As my work began to get better having learned about lighting, composition and interacting with clients, I kept my wallet closed and my sights set on evolving my craft. I didn’t jump to the biggest and best lights, I bought into what was functional and economically realistic. On the flipside, embracing new developments in technology certainly makes the job more convenient and, well … fun. But that only last for so long.

If you’re considering dumping hard earned dollars on new gear, ask yourselves these questions:

• Is your current gear broken, taped together or currently deemed outdated by today’s industry standards?

• Do your clients really care what’s in your gear bag?

• Examine the most pressing financial obligation with your business: Is it paying your mortgage, feeding your kids, developing marketing strategies, or paying business taxes as a legit entity?

• Does buying gear put you in debt?

• Have your skill sets and job demands evolved to the point where you require upgrades?

• Will a new camera body or studio strobe define your voice as a photographer or tell a story within your work?

Where do your priorities stand in the hierarchy of your art? Is it the gear? Or can we use what’s at our disposal to make a masterpiece. Countless photography icons before us did just that and changed the face of art as we know it today.

So buy away folks! Please. Because when everyone heads over to the big photography retailers online to purchase that sweeeet stuff hot off the press, I’ll be waiting on Craigslist to buy your perfectly good, barely used and definitely “outdated” equipment to fill my gig bag … all at a nice discount.

Oh, and about that rainbow I was talking about? It sure looks pretty! It’s loaded with vivid color and by all means it makes us feel happy. But without understanding why it occurs in nature and how we can find ways to appreciate it, it’s nothing more than an optical illusion.

Filed Under: Business, Opinion, Photography

Eric Foley | On Becoming A Pro Photographer

March 6, 2012 by Seshu | Editor & Publisher

Are you considering photography as a profession? Are you thinking of going pro? If you photograph only on the weekends and want to transition to a full time photography career, you should watch this video by Eric Foley, a wedding and portrait photographer based in Connecticut:

Eric Foley was awarded 2011 Wedding Photographer of The Year by the CTPPA. He is also active in the Connecticut Professional Photographer's Association (CTPPA).

If you are in Connecticut from March 8 through 12, you can meet Eric at the CTPPA annual convention. He will also be presenting at Inspire Photo Seminars this year. His talk is called, “Making The Jump – Going Fulltime V2.0.”

As a friend, photographer and a fellow foodie, I recommend you visit his website and follow him on Twitter. He is a great guy to know!

Filed Under: Interviews, Photography

“The Consultation”: Richard Esposito’s DVD

March 5, 2012 by Seshu | Editor & Publisher

Richard Esposito, a Connecticut-based wedding photographer is also a good friend. His controversial blog post, The New Wedding Guest, here on Tiffinbox ranks as one of the most popular posts since I opened the site up to guest bloggers. As a leader in the wedding photography industry, I respect what he has to say.

When RE, as he is popularly known, approached me to watch and review his new DVD, “The Consultation,” I jumped at the chance to watch all 53 minutes of it in one sitting.

Why?

Well, RE has a track record like no one I know. 2011 was his best year financially. He has a high booking rate based on his unique approach of creating a memorable and pleasant experiences for his potential and current clients. And, it's not the kind of DVD that you can stop and watch later.

The Consultation | Richard Esposito

From the time when his clients visit his website to when they receive their wedding albums, RE sets high expectations and exceeds them. Any wonder then that his word-of-mouth referral ratio is through the roof?

Now, wouldn't you like to know how he does what he does? I know I was curious.

I missed his presentations on this very topic at PartnerCON and Inspire Photo Seminars. I suspect way too many people missed it too, but heard of how awesome it was that he was persuaded to produce “The Consultation” for the rest of us.

The DVD is all about having successful face-to-face consults with potential clients. What to say, what to show, where to sit, how to set up your meeting space, when to provide them a pricing guide to your collections etc. Is it orchestrated? No. Not in the least bit. Richard is one of the most down-to-earth guys I know and whatever he does, his heart and soul are right in there for his clients. If you have your client's needs in mind as the end goal, nothing you do will be seen as un-authentic.

The Consultation is divided up in the following 6 chapters:

First contact
First impressions
Who are they?
What I can do for them
Reading the client
Talking business

I can hear it from some of you: “The economy sucks” or “No one is booking my services because there is too much competition.”

Really? Are creating excuses or finding blame the only way out for you? Let's get real, ok? Yes, there is competition and sure the economy has tanked, but if you focus on YOUR customers and treat them right, they will spread the word about you, for you. RE's The Consultation shows you how to do this. He outlines the steps that you can take towards business success as a wedding photographer.

If advertising hasn't worked for your business, RE makes a strong case for creating positive customer experiences that enhance and in fact sustain your photography business. It is RE's first foray into creating a gem of a DVD for wedding photographers struggling to book clients. Plus you get some really useful goodies from him.

The DVD will come with all the templates, forms and workflows that Richard uses for every client from inquiry to consultation. You can edit and print them to make them your own. You can even view how they are setup in ShootQ.

The templates themselves could be sold for the price of the DVD, which is $125. If you have Pages and Numbers (for Macintosh), you can customize these templates to match your own branding. That's a huge WIN, for those of us who don't want to reinvent the wheel.

>>>>>>> Use the code: “tiffinbox” and get The Consultation for just $99.<<<<<<<<

If you need RE to walk you through your other workflow and systems, especially setting up ShootQ, contact him through his website for photographers.

Please note: I receive absolutely no monetary compensation from RE for posting this review. I did receive a complimentary draft copy of his DVD on which this review is based. I know for a fact that RE went back into the project and further finessed it before making it available to the public.

Filed Under: Marketing, Photography, Weddings

Martin Prihoda, A Mumbai Interview

March 4, 2012 by Seshu | Editor & Publisher

I had an opportunity to interview Martin Prihoda recently. Let me correct that … I had an opportunity to interview Martin Prihoda three times in a row but the first two attempts failed miserably due to technical snafus on my end.

Martin, in his usual graciousness and patience offered to meet with me through Skype after every debacle, making sure at times that his Mumbai apartment would be conducive and as quiet as possible for our interview.

The first time I had heard of Martin was through David Hobby's website, The Strobist. The video showed Martin orchestrating a stunning portrait session for one of his clients. I was blown away by his approach, his openness to teach and share what he knows about photographic lighting. Indeed, he is now recognized as one of the leading experts in the field. In addition to being asked to speak on the subject, Martin leads a workshop of his own called Big Lights Far Away. He is making his way to Dubai right now to teach at Gulf Photo Plus. He joins an illustrious list of phenomenal photographers and teachers.

Martin is Canadian, but now lives and works in Mumbai, India. To know more about why Martin moved to Mumbai and to learn about how he quickly established himself in a completely new culture, check the video below:

Links to some of the magazines and websites Martin mentioned in this video:

GQ, Elle, Vogue, Priyanka Chopra

Other lighting gurus who have appeared on Tiffinbox:

David Hobby and Joe McNally

Who will be next?

Filed Under: Interviews, Photography, Portraits

The CTPPA Convention | March 8-12, 2012

March 3, 2012 by Marietta St. Onge

Today's guest post is by Marietta St. Onge, the VP of Programs & Publicity for the Connecticut Professional Photographers Association. She also runs a home based studio that specializes in laughter, hugs and lots of warmth. The CTPPA, to her is an extended family that she believes will bring a wealth of knowledge and support to the photographers searching for a home.

CTPPA Logo

I am so grateful that Seshu has given me the opportunity to tell you all about a place that I consider home, a place that I have made friends for life, a place that I am able to speak openly and honestly about my business triumphs and my business failures with people who won't judge me. These people aren't afraid to share their wealth of knowledge, to offer to take you under their wing, as well as critique your work to make you a better photographer. It's been 18 years now that I've been a member of the CTPPA.

CTPPA is simply known as the Connecticut Professional Photographers Association. It began its humble existence 64 years ago and continues to move forward with the times and yet keep the tradition of professional photography alive to all its membership. CTPPA was started with a group of photographers as volunteers who wanted a place to learn, a place to gather and a place to discuss business with fellow peers. It became an affiliate of the national association, Professional Photographers of America (PPA) and continued the education of the merits of being the best professional photographer that you could be.

People always ask what benefit there is in belonging to the Connecticut Professional Photographers Association? Fifteen to 20 years ago, people wouldn't even think twice about joining this prestigious trade association for professional photographers, as there were no other groups in the state. Now we have many different types of groups that vie for our attention. What do we do? How do we choose what group or association to give our time and our money to?

Well, there's only one professional association in Connecticut that gives you programming throughout the year and a four day convention included in your dues. The topics range from business, marketing, all different markets of photography such as weddings, portraits, seniors etc, lighting, and hands-on demos. Just introduced this past year is our November Networking Nights Open House, which features a panel discussion on a topic in photography and is open to ALL photographers, students, and people interested in photography. We can't forget the all famous print competition which can earn you numerous awards that will help to market your business to old and new clients.

CTPPA will be celebrating its 63rd Annual Convention and Print Competition on March 8-12, 2012 at the Hartford/Windsor Marriott Airport.

Featured nationally known speakers are:

– Lawrence Chan
– Matthew Jordan Smith (Sponsored by Sony)
– Tim Walden and Bev Walden (Sponsored by WHCC)
– Larry Lourcey (Sponsored by WHCC)
– Bob Davis (Sponsored by Canon)
– Kevin Kubota (Sponsored by WHCC, Asuka Books, and KIT)

The whole community of CTPPA invites you to come to this convention and experience for yourself, the warm and open friendliness that a longtime association can offer to you.

Free Lighting Demonstration By Bob Davis

On Sunday, March 11, 2012 we extend our invitation to our FREE day which features lighting dynamo, Bob Davis. Join him on his live shoot throughout the hotel (bring your cameras) and then stay for our famous tradeshow and after the tradeshow join us for another dose of Bob Davis when he presents his seminar called “What the Flash” (WTF). All we ask is that you register in advance, if you plan on attending the Bob Davis programs.

Visit our website for more information and take advantage of a truly wonderful association that may be the right choice for you.

Filed Under: Conferences, Photography

Are You Open, Present & Vulnerable To Photograph Life’s Precious Moments?

March 2, 2012 by Seshu | Editor & Publisher

Are you open, present and vulnerable to photograph life around you?

That's what photographer Penny De Los Santos asks us in this awesome, thought-provoking video:

What's your take on this? Comment below!

(Thanks to fellow Beloved Movement photographer Shuva Rahim for tipping me off with this link)

Filed Under: Photography, Video

Is Going To WPPI Every Year A Necessity?

February 18, 2012 by Seshu | Editor & Publisher

On Twitter, on Facebook and even on LinkedIn, I have been asked the same question: “Are you going to be at WPPI?”

The short answer is: no. The somewhat longish answer is: no, not this year, but hopefully the next.

It got me thinking, however, about my friends who have been to every single WPPI convention in Las Vegas for the last 20+ years. That's commitment. That's loyalty. That's staying power. That's knowledge. Those photographers are obviously much more advanced than I could be; knowing their craft, the business and the industry we are all members in.

Can you imagine going to every single WPPI convention? Are you that committed to your business or to the industry?

Is WPPI the must-go event of the year for wedding and portrait photographers? If you are going, what do you get out of conventions like WPPI? How do you pay for the entire experience? Do you set aside a special budget for it? If you are not going, why not?

Are there other conventions you attend on a regular basis? For me MysticSeminars and Inspire Photo Seminars provide great value. Why? Because I live in Connecticut and while MysticSeminars is in my back yard, I think of Inspire Photo Seminars as being in my front yard, in Massachusetts. The smaller, more intimate, nature of these events are also a bit factor in my decision to commit to them every year. I guess, then, it comes down to one's personality and goals.

So tell us a little bit about you and your goals. Would a big (and I do mean BIG convention like WPPI) be your cup of tea or would you prefer smaller, more regional gathering of wedding and portrait photographers.

Please comment below!

Filed Under: Conferences, Photography, Portraits, Weddings Tagged With: buzzworthy success, conventions, inspire photo seminars, Las Vegas, mgm grand hotel, Mysic Seminars, Photographers, portrait photographers, regional conferences, Wedding, WPPI

Your Playbook For Simple Wedding Photography

February 16, 2012 by Seshu | Editor & Publisher

I can't say it any more plainly. If you are starting out in wedding photography, or, if you have had some experience but have hit a roadblock in your business, you are going to need Simple Wedding Photography [affiliate link], Photography Concentrate's newest tutorial in a book.

As I read my complimentary review copy, I had to wonder how much better my own business would have been had such a resource been available when I began in this business back in 2000. Size isn't indicative of anything. But at a whopping 200 pages, Simple Wedding Photography is going to be my go-to playbook if I have a questions about the craft or business of wedding photography. I feel so good about recommending this book to you because its value will be felt for years to come.

Simple Wedding PhotographyThe book offers two essential parts: photography and business. It's rich in actionable information. That means the book suggests ways in which you can go out and do what it is teaching you. I personally learn from books like this faster than even going to a workshop.

Rob & Lauren Lim of Photography Concentrate are not new to the wedding business. As wedding photographers, they have created enormous value for their clients. This book, Simple Wedding Photography, is essentially a brain dump of sorts. They have pulled their experiences together and written it all out in logical chapters and as a beautifully designed PDF. It's a jargon-free book, that flows smoothly from one concept to the next.

You can get Simple Wedding Photography today at 40% off. Even at its normal price, of $39.95, this is a steal. Learn more about the book and buy it here. It even comes with a 60-day money back guarantee!

The duo has also published a mini-book: 7 Simple Ways to Market Your Wedding Photography Business. This PDF is totally free and makes for a great companion to the book that is on sale today.

If you buy Simple Wedding Photography, you also get these following bonuses:

  • A complete client wedding album design to demonstrate storytelling start to finish
  • We’ll walk you through the sample album with a video screencast commentary
  • Wedding Day Worksheet to make sure you get all the critical information
  • Wedding Prep Checklist so you’re completely prepared for the big day
  • Wedding Day Shot List for a clear look at all the must have images to create
  • Post-Wedding Report Card for easy review and future improvement
  • Brand Identity Worksheet to help figure out the message behind your brand
  • Simple Wedding Photography Book | Photography Concentrate

    Filed Under: Photography, Tutorials, Weddings Tagged With: guide books, photographer, Photographers, Photography, photography books, playbook, simple wedding, Wedding, wedding business, Wedding Photography, wedding photography business

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    About Seshu

    Seshu creates relaxed portraits of families and high school seniors in Avon, Connecticut. He also leads a successful headshot photography studio in Connecticut, helping professionals from a variety of disciplines project the very best versions of themselves. He created Tiffinbox as a way of inspiring photographers, to create better images and successful businesses. [Read More]

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