Gavin Wade had an idea and he ran with it.

As a photographer, he wanted to quickly and painlessly deliver his client's photographs. He wanted to upload his images once and then be able to deliver different versions to different clients. His solution: Cloud Spot.

I trust you have affiliates or business partners who simply have different needs for your photographs and they don't all fit neatly into one standard dimension. Imgaine you are a wedding photographer who has just photographed a Jewish wedding and you have some photographs of the huppa. Some of your wedding vendor friends will only need a postage sized version of the images, while the wedding planner you are wooing might want the photographs with your watermark to display on her Facebook page.

Do you sit there scaling up and scaling down the same photographs as and when someone requests it? It wouldn't be very efficient use of your time, right? That's where Cloud Spot excels.

I spoke with Gavin Wade about Cloud Spot and how it has saved his wedding photography business tons of time. Give this interview a listen and see if Cloud Spot is something you want to consider using for your photography business as well:

Setting up your Cloud Spot account is super easy:

Ever wanted to send some of your special clients discount codes? Well, you can now with Cloud Spot:

Your online store's back end should look this easy to manage:

There are six pricing options, including one that is totally FREE (jpeg imaages only). The Entry option is only $4/month and allows you to store and share JPG, GIF, TIFF, PNG, PSD, AI and PDF files. Granted you only get 5gb of space, but if your photography business is just starting up, this should do really well for you for now. You can always scale up!

Gavin has generously offered all Tiffinbox readers a special discount code. Use: tiffin10 – good for any monthly or annual plan when you sign up here.

Robert Norman, a wedding photographer based in Trumbull, Connecticut, will teach other photographers the encaustic process at this year's Inspire Photo Retreats conference.

So, what is the encaustic process?

The Encaustic Art Institute says this:

Encaustic is a Greek word meaning “to heat or burn in” (enkaustikos). Heat is used throughout the process, from melting the beeswax and varnish to fusing the layers of wax.

Robert and I sat down to talk in some detail about the encaustic process, how he approaches it and finally whether there is any commercial applications with the final piece of artwork.

As I said, at Inspire Photo Retreats this year, Robert will guide a small group of photographers step-by-step through the encaustic process. By the end of the day everyone will have one or two finished pieces to take home with them.

If you haven't yet, register now for the Inspire Photo Retreats conference. It's a terrific event, bolstered by charming photographers like Robert, Cig Harvey and Tyler Wirken.

Below are some examples that Robert has shared of the encaustic process:

If the interview piqued your interest and you want to learn this fun photographic process, there is only one way to learn from Robert Norman and that's by being at Inspire Photo Retreats this year.

How many of you don't offer portrait or wedding albums because you either don't know how to design them or you believe they are too cumbersome to lay out?

This is what I believe: You aren't truly serving your clients if you simply photograph their event and hand them their digital files (don't do that, do this instead)

You can easily overcome your fear of designing and printing your album because there are new tools today, like Fundy Album Designer, that make it super simple to do so. Yes, design and send the files to your favorite album manufacturer.

Look, years ago, I stumbled upon a free option. I was new. I like the sound of free like the next guy and so I dove in. I created a 56 page wedding album from scratch. The software was buggy, the support was spotty at best and my client was PISSED.

To top it off, some alignment had shifted and a bunch of images were somehow sent off-kilter on a bunch of pages. Yikes! Green behind my years, I was panicked and frustrated of course. I didn't want to lose the confidence of the client even though the emails back from the groom (the bride had given up on me) sounded angrier and angrier.

So, the album arrived and yes, it was full of errors and mistakes – some caused by me but some also caused by software that simply did not work. As I held the errant album in hand, I learned a lesson that day. Trusting a free app to do your work is extremely dangerous. While the buck stops with you, the photographer, seeking out an album design company that will stand by its product was paramount.

This was about the time that I heard Andrew Funderburg was going to launch a new product that would solve the very problem I was having. That product was of course version 1.0 of Fundy Album Designer. Since then, the app has morphed into something truly fantastic. In addition to designing albums, it is now closely integrated with a bunch of labs and album manufacturing companies. Anytime something is “off” and I am notified right there on the screen.

For a portrait or wedding photographer, this is truly a wonderful time to get into quickly designing and printing your client's family heirloom. Let that sink in a bit. You are responsible for creating a piece of art that will remain with your clients for ages and will likely get passed on from generation to generation. Wow! Doesn't that create the warm and fuzzies inside of you? I think of my clients as grandparents showing off their albums to their grandchildren. An awesome responsibility but the work it takes to put those albums together should not stress you out.

I spoke with Fundy (as he is known to his friends) about this and other topics dear to our hearts:

Now, I didn't speak with Fundy about stress-free album designing because our connections run deep or because I am being compensated (I am not, except for receiving a copy of his program to review).

I spoke with him because I believe Fundy Designer can radically change your business, giving you more free time to spend with your family and making your clients genuinely happy with your service.

Want to learn more about easy-as-apple-pie album designing? Check out this free webinar on November 4th, thanks to ShootDotEdit. Register for it now. Even if you can't make the live call, the recording will be made available to you.

Be sure to bookmark ShootDotEdit‘s free content page where you can find guides, webinars and case-studies that are extremely useful for photographers just like you.

Mike Olbinski is more than just a wedding photographer. Much, much more.

You see, in the off-season, he takes off from his home in Scottsdale, Arizona to find, chase and photograph storms. It's no easy task but he started small, with likely the wrong equipment, but he pushed on undeterred. Clearly, this man loves what he does.

I have long watched Mike's work in utter awe and thought it was high time he and I got together to talk about his art. So, here is that conversation.

What I am moved by the most is Mike's relentless pursuit of experiencing these storms. Clearly he determines the risks and knows where to go and how to photograph the storms in a safe manner. I trust that while you might be inspired by Mike Olbinski, you don't jump head in without doing your homework. In fact, feel free to ask Mike any questions about his process below in the comments section.

Mike has been tirelessly working Monsoon II, a short movie showcasing the time-lapse videos he has been creating along the way this past summer. Take a look at the movie first below and then read what Mike has to say about the project:

I've been chasing the monsoon in Arizona for about six to seven years now. This summer was different though. Back in late July, I was wondering why it felt like I was out chasing more than ever before. And then I remembered. I had a job last summer. This year I didn't. I went full-time photography in November of 2014 and haven't looked back.

I was free to roam and had virtually no limitations. I even had multiple chases where I never actually wend to bed, but instead chased all night. I took the kids to New Mexico at one point early in the season.

Last year I counted roughly 31 total days that I chased a storm during the monsoon. This summer: 48. Yikes.

17,000 miles driven, which was about 3,000 more than last year. Perhaps the biggest difference this year was shooting nearly 60,000 more time-lapse frames than I did in 2014. 105,000 total. And what sticks out to me even more than any of the other numbers above, is that only 55,000 of those 105,000 frames made it into Monsoon II.

What that means is I was able to stuff this new film with only the best of the best. We missed out on some of the huge dust storms like I've captured in years past, but overall, I think this represents some of the best weather I've ever photographed in Arizona. There are stunning shelf clouds, gorgeous rain shafts, lots of blowing dust, tons of lightning, and even multiple mini-supercells or mesocyclones. The brief mesocyclone over Cottonwood at the 3:38 mark is one of my all-time favorites.

I can't talk much more about the film without addressing the music real quick. The song is called Palladio (Rebuilt) and it's once again by the amazing Kerry Muzzey who donated it to me for Monsoon II. He also let me use another song of his for my previous film, The Chase and I'm beyond grateful for his generosity. I mean, how do you thank someone enough for that? Click here to find the song on iTunes and please support his work! I've said it a million times … the music is at least 50% of these movies I make. Kerry's art helps bring my films to life. Thank you my friend!

When I'm out there capturing footage for these films, I'm constantly thinking about the story I want to tell. For example, I wanted a lot of erupting, towering cumulus at the beginning to launch into the meatier clips. I started laying out the film back in mid-August. Certain clips I already knew would be in certain places in relation to the ups and downs of the song itself. As the season wore on, I gathered more and more clips and began to lay out the entire film. I'd remove clips when I got something better. There was exhausting editing, re-editing, looping music, reluctantly dropping clips that didn't work or were unfixable and watching it over, and over and over, to make sure I was telling the story I wanted to tell.

At one point, about halfway through … I was telling Jina that I have a lot of great stuff, but still haven't shot the final scene yet. I had no idea what it would be, but I knew I didn't have it. And then that very night (or maybe the next day) … I was out west of Tonopah and I knew on the way home that the monsoon had finally delivered my ending.

That is what is so amazing about doing this. You hit the road with zero idea about what you're going to see over the course of a summer. You might imagine scenarios or have ideas, but they get blown out of the water by reality. And that's what I love about it.

My hope is that you can see and feel that love in this film. The beauty of the monsoon in Arizona. This is where I'm from and this is home.

This video, also by Mike Olbinski, was a Staff Pick on Vimeo:

Meanwhile, watch the drool as you peruse through some absolutely fantastic storm photographs by Mike Olbinski below:

For a limited time, you can buy “Superstrike” for 25% off. I've got my eyes on a 20″x30″ metallic print, Mike!

On or close to my birthday, every year for the last four years, I have recognized and tipped my hat to a photographer-teacher in the industry who makes a significant impact on people's life.

The first four awardees of the Annual Tiffinbox Award are: David duChemin, Spencer Lum, Jamie Swanson and Jenika McDavitt.

This year, I am thrilled to announce the 5th Annual Tiffinbox Award goes to Neil van Niekerk, a South African photographer, teacher, author and speaker who now calls New Jersey home.

Neil publishes two blogs, One Perfect Moment and Tangents, a blog I recommend every photographer bookmark. It is through this latter blog that I learned that Neil also offered workshops on off-camera lighting. If memory serves me right, I have attended at least two of his workshops as a student. If you are starting to make the move from natural light photography to flash photography, Neil's workshops are a must. The day is usually long because he patiently goes over all that you will need to know about using your strobes off or on your camera.

Neil knows his stuff so well that he has written four books on the topic of lighting (see above) and is frequently invited to speak about lighting at conferences and industry gatherings across the US and beyond.

(if you were wondering, yes, that's a real tiffinbox you are seeing on the right there)

Here are some of my favorite blog posts by Neil van Niekerk over the years:

Dragging The Shutter
Black Foamie Thing
Flash and Ambient Light
Using Exposure Compensations vs. Manual Exposure

Please visit and bookmark Neil's websites, buy and read his books and enroll in his workshops. I guarantee you will be a better photographer. You can also follow Neil on Twitter and Facebook.